Blackstone Code Chapter 1415: Filmmaker Support Fund


In the evening, Lynch learned that Gap had released the news, and then he came to Vera's side, and Vera took the initiative to call him because of the child.

"He still doesn't want to come out, he didn't even eat dinner..."

Vera was a little worried, and the little boy locked himself in the room. Until now, he didn't drink water, eat, and didn't answer.

Wera would have called the police if the security guard Lynch had sent to keep them safe had not seen the boy from the window outside the house.

Although there is nothing wrong with the child, it is not a problem to close the door like this. In the end, she can only ask Lynch for help.

She is very strong, but there will always be times when she is not strong, and this is when a man is needed!

"Did Gap say something to him?" Lynch asked softly as he walked to the door.

Vera shook her head. "They didn't say anything, and he just ran up and locked himself in the room. I was worried."

The little boy had been treated by a psychiatrist before. Gap left the boy with extremely frightening memories when he was caught. Coupled with the rejection from the community and school, he was given the title "Son of Criminals" .

He was bullied at school, and the teachers didn't seem very nervous or concerned. .

This also led to some autism in the boy, as well as mild depression.

It didn't get better until they left that environment.

In the words of the doctor, this boy is much more dependent on the family than other children, a complete family and a father who can be a role model is the key to his healing of mental illness!

But the point is that he has no father!

Fortunately, Lynch occasionally plays this role, and his strength makes people have a lot of respect for the little boy.

I thought all of this would go through like this until he became an adult, but Gap suddenly came back, making the little boy who could no longer see any problems, and the situation of self-isolation appeared again.

Lynch frowned and knocked on the door, "Are you inside?"

After a while, the little boy's voice came out, "Yes, Mr. Lynch."

"Can we talk?"

After a while, the little boy opened the door, looked at Lynch through the crack of the door, and looked behind him for a moment, "Only you!"

After Lynch assured that he was alone, he went into the room and sat by the little boy's bed.

The walls are filled with heroes from comics, as well as heroes from fairy tales. From these posters, it can be seen that the little boy aspires to be a hero himself.

He sat up and looked at the little boy, "Your mother is worried about you."

The little boy nodded. He sat on the ground, holding his legs and bowed his head, so that Lynch couldn't see his expression.

After a while, Lynch asked again, "Is it because of Gap?"

The little boy hesitated for a while, "Yes."

"Are you scared?", Lynch asked, "Do you think Gap will hurt you?"

"Or do you think he will hurt your mother?"

The little boy did not answer immediately, but kept his head down while holding his legs.

After about two minutes, the little boy suddenly raised his head and looked at Lynch, "Will you let him take me?"

His eyes were full of fear and unease, and a rare, fearless stare into Lynch's eyes.

Lynch was stunned, "Why do we do that?"

"Because he's my dad!", the little boy continued, "I've seen on TV that in families where their parents are divorced, boys tend to follow their fathers."

"They will also fight for custody, I don't want to go with him!"

Memories up to the age of five have faded a lot for boys now, and the happiness that once might have been vague doesn't ease the fear.

He doesn't want to go with Gap, he doesn't know why Gap is still in his life, he thinks Gap is here to talk about custody.

If not, why did he reappear here long after he disappeared?

Lynch burst into laughter. He patted the bed helper beside him, and the boy came over and sat beside him.

He rubbed the boy's head, the soft hair was not tangled at all, unlike some children, the hair was as hard as the thorns on a hedgehog!

"No one will take you unless you want to."

"You'll stay here until you graduate high school, and then you'll go to college."

"You'll take courses you like in college, and possibly have a few girlfriends."

"You will have your own person!"

"So no one will take you away!"

There was some longing in the little boy's eyes, "Really, Mr. Lynch?"

"Of course..."

It wasn't too complicated for Lynch to convince a kid, and he was aware of his place in the boy's mind.

In fact, most children in fatherless homes yearn for some strong father.

There was an interesting case in the Commonwealth where a girl was horribly abused, but she developed a terrifying affection for her murderer.

She was in love with the murderer who had hurt her, and was in awe and attached to him, even when the murderer asked her to help kill, she did not refuse.

For her, the murderer gradually overlapped with some of the characteristics of the "father" in her mind, so that she turned herself into another person...

Ghost knows why there are always these people in the Federation, these psychopaths, either the murderer is a pervert or the victim is perverted.

Maybe...that's the price of freedom?

But in any case, a child growing up in a family without a "father" hopes to have a way to rely.

Lynch doesn't appear tough, but wealth has brought him a "gentle dependability", so the little boy is more willing to communicate with Lynch.

This may be the magic of wealth!

In the end, Vera did not give the little gift that Gap left to the children, she felt that having that thing might not be a good thing for their lives.

The next morning, Lynch made an appointment with some academic professors in the film industry, those filmmakers who called themselves "founders".

For industries that are related to culture, sometimes it doesn't matter whether you have achievements or works, what matters is who you are in a group with and how long you can live longer than others!

Some of these people don't actually have much to offer, but they get it long enough and they have a certain say.

Looking at Harmony's youngest filmmakers who are fifty-six years old, Lynch is like seeing the ceiling of the entire film industry - it's not beautiful at all, and it limits the upward development of the film industry.

What he has to do, however, is to fix these problems a little bit.

"This time I invite everyone to come, just some of my thoughts some time ago."

The staff began distributing documents, which Lynch liked.

When talking about things, give them a document and let them read and listen to themselves.

People tend to get distracted and stay where they need their attention.

For example, the raised value in a bar chart is 100. People will only stare at 100. It is difficult to notice that the shortest one is not 10.1, but 101...

Of course, this is just a metaphor, and such mistakes do not occur in real work.

As people got the material and unfolded, Lynch started talking about his plans.

"I have established a foundation related to the film industry. It belongs to Blackstone Culture, which was established two years ago, and it also belongs to Blackstone Media Company..."

People look down at those corporate affiliations, it's a bit complicated, the more complicated it means the more "safe" Lynch is and the less "controlled" it is, which is important.

"The Foundation operates in two parts."

"In the first part, we will set up an awards ceremony of the highest federal standard, ending the current chaos of many awards ceremony."

"More professional scoring, more fair and open selection, we need it to become the film weather vane of the Federation and even the world!"

"The second part, the foundation has a 'Young Filmmakers Support Program', which aims to support some young people with ideas and creativity."

"We will provide some directors with funds and environment for independent shooting, and provide a certain stage for other film industry practitioners to display their talents."

"Every year we put out about a million to two million..."

At this time, an old gentleman couldn't help coughing, and Lynch also looked at him.

He's a little embarrassed, it's just an embarrassed look, he's not embarrassed at all.

"Mr. Lynch, thank you for everything you've done for the film, I have a question, how does this 'Young Filmmaker Support Program' select who can be lucky enough to get help?"

Lynch smiled slightly, "Of course it's up to the company's jury to decide, that's why I brought you here, and I hope you can contribute to the film industry."

“You guys are more knowledgeable and professional about the development of the film~IndoMTL.com~ the shooting process and the follow-up than I do, and this profession can provide us with more effective advice!”

With a satisfied smile on the old gentleman's face, he looked at the document in front of him again, then made eye contact with the others, and finally expressed his wishes.

"I don't think it's a problem, Mr. Lynch. I'd love to contribute to the development of the film industry!"

As Lynch continued to talk item by item, people increasingly discovered that if this foundation could really make...

No, it will definitely be done. It will have a terrible influence on the ecological environment of the entire film.

But isn't that exactly what these old gentlemen wanted?

With their name, plus Lynch's money, they're sure they'll get more respect!

As people get old, they can't eat too well, and they can't drink too much, and life has become a little dull and boring.

The only thing that can make them happy, apart from the actress telling them the story, may be the respect people have for them!


Leave a Reply