Rebirth of the National Male God Chapter 510:

The ending of the story does not say whether "None" is alive or dead.

The name of the movie is "Transcendence". Transcendence in Buddhism's language is to be outside of the business, not to take care of everything, to let go, to be free and easy, to be aloof, to let go, to trust.

And at the last moment of his life, "None" suddenly realized that "the world is difficult, there is still light." This is a detachment for him, a relief, and the most thought-provoking part of the movie.

Shu Cheng’s fingers tapped lightly on the script, her lips curled into an undefined arc, and her dark eyes carried a light of memories.

Such as "no", Shu Cheng met, and met as a system.

He is her host, and she was almost desperate the first time she bound such a host.

This host is extremely easy to inferiority, extreme extreme, one thing is either the best or the worst, extreme, without self-confidence, unlike the strong tenacity of the host in the past, he is not self-motivated.

He was isolated from the crowd, a person muttered to himself, but obviously had a genius idea but had to accept the insults of countless people, and became more depressed.

When he became his system, Shu Cheng found that he didn't play any role at all.

Even in the end, Shu Cheng would not communicate with the host, and even actively shielded his ears, because that person always had reason to accept his strange logic, and he could not pick out half of the mistakes.

The genius is on the left, and the madman is on the right.

Shu Cheng closed her eyes. The host was placed on the earth like a character like Haizi. She rarely helped him when she became his host.

The only thing that can help is to deal with wounds.

That was Shu Cheng’s least host of accomplishment as a system. This host was too keen, too smart, and had a IQ that was much higher than that of ordinary people, which made her completely useless.

Unfortunately, he committed suicide in the end.

Depression is getting worse, he died in his own hands.

As a system, Shu Cheng once thought that this was the only task she didn’t complete. Until later she learned that the host became a master of the literary world after death, and he was called a legend.

But he is gone.

Although he is still different from Wu, Shu Cheng has been able to find the feeling of Wu.

This will make her more comfortable in the role of "No", and she believes that she has a system that has been with depression for more than 20 years... (No, it is now a human) will play more than others Even better.

Because she witnessed the life of the host.

His days, his struggles, his despair, his daily actions, what he did near death...

These are her advantages.

But Shu Cheng still likes the image of the girl in the script quite a bit. The thrill of self-tapping in this movie rises quickly.

Although there are people with more than two people in the picture that need to be edited, but in this world parallel to the earth, everyone’s spiritual world is lacking, and technology is the world’s first, such a degree of editing does not make people see the flaws or Quite easy.

It's really impossible, she secretly started.

Shen He looked at Shu Cheng's mouth with a fascinating smile, and his brow jumped sharply.

Shu Cheng's dark eyes are deep, self-tapping and self-suffering, with a completely different personality, so acting is simply too touching!