A Clash of Gods Chapter 89: Sword in Picture

Yang Ning pondered for a moment, carefully wrapped the long flute in black silk carefully, and put it in the drawer of the dressing table. This arrived in the opposite room.

He thought that there was something in this room. After entering, he found that the room was empty. There was only a wooden board in the corner, and a pile of hay was randomly piled on the edge.

He walked over and found out that in the corner of the wall, there were still two brushes and a inkstone. The ink inside the inkstone had already coagulated, and he reached for it. It was just the most common inkstone, the ink inside the inkstone. Already as hard as stone.

He felt strange, thinking that there was a woman living here, could it be that the inkstone stand was also left by that woman?

His eyes swept, and suddenly found a yellowed paper on the ground. He picked it up and looked at it. The paper was very broken, but there seemed to be a painting on it. The paper was incomplete and could not be seen clearly. I was wondering what I drew, but I saw half of a piece of paper appearing under the haystack. When I pulled the hay away, I saw that it was a mess of paper.

Yang Ning picked up a relatively complete piece of paper, got up and leaned to the edge of the window. Looking through the moonlight, he found that it was indeed a villain.

The painter is actually not very good, but it can be clearly seen that the villain in the painting seems to have a long sword in his hand, slanting upward, but his legs are slightly bent, and the movement is quite strange.

Yang Ning was suddenly stunned, thinking that the woman who lived in this yard even knew sword skills?

This picture is clearly a very strange sword move.

He turned around hurriedly and removed all the hay in the past, and then picked up all the scattered papers in the ground, adding up to four or fifty sheets, a thick ladle.

More than a dozen of them are broken, but most of them are still intact, but they are yellow and yellow. Yang Ning took the paper of the ladle and went out. He sat on the threshold in front of the door. He fell down I'm not worried about being seen. People in the entire old house treat this courtyard as a ghost house, and no one dares to get close, let alone someone will suddenly come over the wall.

He looked through them one by one. Sure enough, these papers were all sword moves.

The villain on paper draws very casually, but only roughly outlines the body of the hands, feet, and body, that is, the long sword in his hand, and only a thin long line, but for the moves of the long sword, it is quite expressive.

Except for a few pictures, the movements of the people in the picture are normal, most of them are weird, some are lying on the ground, some are lying on the ground, some are lying on the ground, or squatting on the ground, or jumping or jumping, sword move The changes are also weird.

In addition to practicing unarmed combat before crossing, Yang Ning naturally also practiced using weapons to shoot. Although he has not touched this long sword, he has still used it. Both are long swords, although they are different in tricks. Not small, but there are still similarities in many places.

But many of the moves in the picture are beyond the scope of their own familiarity.

He even thinks that some moves are simply impossible, completely violating the laws of physical activity. For example, one of the moves is the right hand holding the sword, but the right hand is raised above the head, and the long sword is wrapped around the back. Slanting down to the left hip, this action looks unusually awkward. In normal swordsmanship, it is impossible to have such an unreasonable trick, and in Yang Ning's view, such a trick does not seem to have any lethal effect on the enemy.

He suddenly thought that there is a type of swordsmanship not used for hurting the enemy, but for performance. Many noblemen and houses will have a lot of dancing girls. Although many of the dances show the femininity of women, they also There are still some dances that are very special, and sword dance is one of them.

This kind of dance also shows its strength and fierceness in the feminine beauty of the woman. With the sword, the dance is combined with rigidity and softness. It has its own unique beauty.

But sword dance is created for dance after all, it only emphasizes the peculiar movement and beauty, but it has no practical value.

Yang Ning saw this strange sword move, plus a woman who once lived in this room, immediately thought that these pictures might be a set of sword dances, or maybe the woman was lonely and bored here, so she would In his free time, he painted this set of sword dances.

He thought for a while and picked up a wooden stick in the courtyard, imitating the movement just now, and also raised his right hand over the top, learning to wrap the wooden stick from the top of his head to the back, and the stick was inclined to his left hip. In the past, as soon as I got started, I felt extremely awkward and extremely unnatural. Mo said that it was easy to make this action, but it took some time to show it.

Wait in this posture, Yang Ning felt like a fool, shook his head and smiled bitterly, thinking that he was a big man. If this was a sword dance, it would be a woman dancing. The flexibility of the woman’s body may be able to express this posture. It's extremely beautiful, he is a big man, and he can't show beauty anyway.

He dropped the stick, sat down again, read a few more photos, and suddenly frowned, realizing a problem.

Looking at the drawing on this picture, it is full of strength, and although it is a very casual sketch, the stroke of the pen shows a sense of free and easy.

Yang Ning frowned.

He knows that the handwriting of men and women is actually very different. Most of the women’s strokes are delicate and serious, and the brushstrokes are quite soft, but these sword stroke portraits are full of freehand and power, and the brushstroke is very heavy. The brush is different from later generations. A pen, like a pen, is originally a soft thing. If it is not full of its own strength, and it is able to move freely, a little force will make the handwriting take shape.

Although these portraits are freehand and freehand, they are not distorted. Yang Ning looks more and more like a man's handwriting. He feels strange in his heart, thinking that this man used to live in a man's courtyard?

Gu Qinghan once said that she once lived with a woman. One thing is certain, the former owner of this yard must be a woman. Even if someone is here to serve, it can only be a maidservant and a servant. It is impossible for a man to serve here. What does it matter that the man is the hostess of this yard?

He pondered while flipping the paper. It didn’t take long for his brain to shine, and he actually found a pattern in the paper.

There are seven or eight of these dozens of drawing papers lying on the ground, and five or six of them are squatting on the ground. The sword movement that he saw before the long sword is not only one. , One of which is quite similar to that one, with the right hand held high above the top, but the long sword did not bypass the head backwards, but slanted to the left front, the left hand was raised with a single palm, attached to his forehead Place.

He pondered slightly, and then dozens of pieces of drawing paper were divided into categories, and all the lying down were put together, and the similar moves were put together again. After sorting for a while, they were divided into six piles.

Intuition tells him that these sword moves are very strange, it is not as simple as sword dance, I am afraid that there are other strange things.

Although there are also torn papers, Yang Ning tried to recover them as much as possible, and it was impossible to recover them. He could only make judgments based on the remaining residual images.

After being divided into six piles, Yang Ning saw that the pieces of drawing paper lying on the ground were the most complete and intact, and carefully read the eight pieces of drawing paper.

When he sorted out, he actually saw that the sword strokes of these eight pieces of drawing paper were obviously in front and behind, forming a whole, but there was no number on the picture quality, and it did not indicate which one to start with. .

Thinking and arranging the order of the eight sheets of paper. The easiest way to judge the eight sheets of paper is the first one, lying on the ground, holding a piece in your right hand, and the tip of the sword slightly picking up, without much movement. It is also easy to judge whether it is a hands-on style.

Yang Ning has practiced fighting. One thing he knows very well. Sometimes the most important part of a set of kung fu is the first move of the starting hand. Only when there is no mistake in the starting hand, can the subsequent moves be played out. Once an error occurs from the beginning, then the second move immediately following will naturally be biased, and so will go wrong all the way.

I determined the first move. Yang Ning felt quite a bit struggling after sorting out the following moves, because every subsequent move was very weird, and the number of moves was not a sword move that ordinary people can think of. One trick is that the left leg is slightly raised, and the long sword passes under the leg, obliquely upward, and the posture is extremely strange.

He hopes to find the connection in the picture quality. For example, there is a very natural transition from this move to the next move, but the only common point of the eight stroke lying paper is that the body is lying down. It is really difficult to find out what kind of contact can be found in the move~IndoMTL.com~.

Yang Ning ran over and picked up the wooden stick, and lay down on the steps in front of the door. First, he grabbed the wooden stick and picked it up according to his hand. He thought about the movement of the other seven pictures in his mind. There was no one way to come out like this. He closed his eyes and did not move. After a long time, he suddenly lifted his arm, turned his wrist to the left, and waited for the wooden stick to touch his body. It's like drawing a Wu hook.

He opened his eyes and looked up slightly to see his movements. He saw that the stick in his hand was almost straight with his right leg, only a slight deviation, and he sat up hurriedly, went to look at the drawing paper, and saw one of them The drawing is just his own movement, but the long sword on the drawing is parallel to the right leg.

Although there was a slight deviation, Yang Ning was still quite excited. He thought about pondering for a long time, and finally came up with the conversion between the two moves. Although he did not know whether it was right or not, at least he still tried it. This The movement conversion seems simple, but if you can't go deep into it and think about how to better match the sword, you may not be able to do it.

Actually, Yang Ning didn’t know whether the moves on these paintings were worth anything at all, or that some people deliberately painted these weird movements to be boring, and even those who painted these pictures might not be able to make these. The action came, but Yang Ning thought again that the courtyard was strange and mysterious, and it was full of mystery. This pile of painting paper was yellow and old, and it was a long time ago. Since it is still in the house, maybe there are some ways in it.

He had inadvertently obtained the Liuhe Divine Power from Mu Shenjun and the Skeleton from Skeleton, and he inadvertently obtained it. Needless to say, the Liuhe Divine Power is a mysterious mystery. Fortunately, if these paintings are really a swordsmanship this time, it would be a great pity if you discard them and miss them.