Best Actor Wants To Stay With Me Chapter 1873: Family (5)

But the action is not the point, the point is the psychological pressure she shows with her words and deeds.

It is true that in filming such a scene, the pressure is a thing, in addition to the actor's own acting skills, the oppression caused by the claustrophobic and dark environment, the photographer and lighting division also contributed. But Xia Siyu's acting skills really make people feel this all-round sense of control.

The murderer she played was different from others, and the crime had to be beautifully arranged and had a sense of ritual. Even if she is chased by the other party, she will arrange the environment artistically.

Even if I am ready to die, I will design it in advance, not only will I not make myself look embarrassed, but also let the heroine and the hero walk into the trap she designed, even if they die, they have to drag the two back. Moreover, as a prisoner with a high IQ, she noticed the character weakness of the hero and heroine early in the morning and took advantage of it. It seems that she has been exposed here and was approached by the heroine. Rather, she designed it to put the prey in the cage so that they could catch them all.

Incomparably arrogant, but calm and crazy, in the words of the play, it is "criminal aesthetics".

This powerful spiritual power was indeed passed on to Shang Feier. During the filming process, Shang Feier acted according to the script and the just-discussed position at the beginning. But acting and acting, as if he had become the protagonist in that play. An old building like a labyrinth, a murderer who doesn't know where will come out, and who doesn't know where the male protagonist is trapped and needs to be rescued. Not only is the environment depressing, but most importantly, the fear of the unknown.

This kind of unknown was originally performed, but when she was acting, she seemed to really enter the world woven by Xia Siyu. That kind of mental control and oppression is more frightening than physical and environmental oppression.

Not only Shang Feier, but also Bo Yan felt it during filming.

He was stunned by Xia Siyu at the beginning of the play. When he woke up, he was already **** and guessed the identity of the prisoner. But even so, it would be difficult for him to escape. When the heroine was approaching them, he was also ready to flee.

But the action is not the point, the point is the psychological pressure she shows with her words and deeds.

It is true that in filming such a scene, the pressure is a thing, in addition to the actor's own acting skills, the oppression caused by the claustrophobic and dark environment, the photographer and lighting division also contributed. But Xia Siyu's acting skills really make people feel this all-round sense of control.

The murderer she played was different from others, and the crime had to be beautifully arranged and had a sense of ritual. Even if she is chased by the other party, she will arrange the environment artistically.

Even if I am ready to die, I will design it in advance, not only will I not make myself look embarrassed, but also let the heroine and the hero walk into the trap she designed, even if they die, they have to drag the two back. Moreover, as a prisoner with a high IQ, she noticed the character weakness of the hero and heroine early in the morning and took advantage of it. It seems that she has been exposed here and was approached by the heroine. Rather, she designed it to put the prey in the cage so that they could catch them all.

Incomparably arrogant, but calm and crazy, in the words of the play, it is "criminal aesthetics".

This powerful spiritual power was indeed passed on to Shang Feier. During the filming process, Shang Feier acted according to the script and the just-discussed position at the beginning. But acting and acting, as if he had become the protagonist in that play. An old building like a labyrinth, a murderer who doesn't know where will come out, and who doesn't know where the male protagonist is trapped and needs to be rescued. Not only is the environment depressing, but most importantly, the fear of the unknown.

This kind of unknown was originally performed, but when she was acting, she seemed to really enter the world woven by Xia Siyu. That kind of mental control and oppression is more frightening than physical and environmental oppression.

Not only Shang Feier, but also Bo Yan felt it during filming.

He was stunned by Xia Siyu at the beginning of the play. When he woke up, he was already **** and guessed the identity of the prisoner. But even so, it would be difficult for him to escape. When the heroine was approaching them, he was also ready to flee. But the action is not the point, the point is the psychological pressure displayed by her words and deeds.

It is true that in filming such a scene, the pressure is a thing, in addition to the actor's own acting skills, the oppression caused by the claustrophobic and dark environment, the photographer and lighting division also contributed. But Xia Siyu's acting skills really make people feel this all-round sense of control.

The murderer she played was different from others, and the crime had to be beautifully arranged and had a sense of ritual. Even if she is chased by the other party, she will arrange the environment artistically.

Even if I am ready to die, I will design it in advance, not only will I not make myself look embarrassed, but also let the heroine and the hero walk into the trap she designed, even if they die, they have to drag the two back. Moreover, as a prisoner with a high IQ, she noticed the character weakness of the hero and heroine early in the morning and took advantage of it. It seems that she has been exposed here and was approached by the heroine. Rather, she designed it to put the prey in the cage so that they could catch them all.

Incomparably arrogant, but calm and crazy, in the words of the play, it is "criminal aesthetics".

This powerful spiritual power was indeed passed on to Shang Feier. During the filming process, Shang Feier acted according to the script and the just-discussed position at the beginning. But acting and acting, as if he had become the protagonist in that play. An old building like a labyrinth, a murderer who doesn't know where will come out, and who doesn't know where the male protagonist is trapped and needs to be rescued. Not only is the environment depressing, but most importantly, the fear of the unknown.

This kind of unknown was originally performed, but when she was acting, she seemed to really enter the world woven by Xia Siyu. That kind of mental control and oppression is more frightening than physical and environmental oppression.

Not only Shang Feier, but also Bo Yan felt it during filming.

He was stunned by Xia Siyu at the beginning of the play. When he woke up, he was already **** and guessed the identity of the prisoner. But even so, it would be difficult for him to escape. When the heroine was approaching them, he was also ready to flee. Not only Shang Feier, but also Bo Yan felt it during the shooting.

He was stunned by Xia Siyu at the beginning of the play. When he woke up, he was already **** and guessed the identity of the prisoner. But even so, it would be difficult for him to escape. When the heroine was approaching them, he was also ready to flee.