Beyond the Noisy World: The Long Lost Eight Sects: 033, unlock

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Ding Qi didn't react awkwardly, just smiled shyly and said nothing. Liu Feng asked again: "Ding Qi, are you really not going back to school?"

Ding Qi: "Thank you mentor and Director Zhao, but I have such a resume file and I am not suitable to come back again."

Liu Feng stared at Ding Qi for a long time, as if he wanted to see a flower on his face, and then suddenly smiled. He smiled happily and said, "Ding Qi, I have been very worried. You! But now you can not only see clearly, but also live seriously, especially if you have the courage to refuse this opportunity today, I will be able to rest assured in the future."

Ding Qi lowered his head and said: "In fact, people make choices, such as rejecting something, not by courage, but by righteous concepts. As the ancients said, respect for straightforwardness and righteousness. How can you go straight inside?"

Liu Feng nodded and said: "Choose not only requires courage, but also depends on correct concepts. This is a good point! It reminds me of a propaganda slogan that has spread throughout the country."

Ding Qi wondered: "What slogan?"

Liu Feng: "The times are different, men and women are the same!"

Ding Qi was holding up a cup to drink water, and almost choked when he heard this. This metaphor of the instructor is really wonderful, I am afraid that it will not be able to respond to a change of individuals for a while. Solving the bad habits of patriarchalism is not to ask anyone to have the courage to have a daughter or not to have a son, but a matter of social concepts. Ideas are caused by reality, but many inherent ideas often lag behind the development of reality.

The teachers and students couldn't help laughing. At this moment, someone knocked on the door and came in. It was Zhong Dafang with a folder. Zhong Dafang came to Liu Feng for signing. When he entered the room, his eyes were a little surprised, but he immediately said with a spring breeze: "Junior Brother Xiaoding is here too! Mentor, what are you talking about, laughing so happily?"

Seeing that Liu Feng was on business, Ding Qi stopped interrupting, said hello to his tutor, and left the house, still pondering what the tutor had just said. It was precisely because he refused the opportunity to formally prepare the library work, that the tutor was really at ease with him. This also shows that Ding Qi has his own confidence, and that confidence comes from his state of mind. He doesn't need Liu Feng to worry too much about his affairs.

Just now Liu Feng didn't mention Jiajia in a sentence, and of course Ding Qi didn't ask, and the two tacitly agreed. Since some things have passed, there is no need to say more.

Jinghu University Library’s research results were reported in the news. Ye Xing also inquired about the inside story, and specifically came to Ding Qi and said, “You’re doing this work, it’s amazing! We didn’t find what we were looking for. , But you made a major discovery. I don’t understand. What is the meaning of the ancient erotica pictures? If you are interested, I invite you to go to a nightclub and perform live erotica on the spot."

Ding Qi: "Okay, thank you, Mr. Ye, just waiting for your invitation. But I heard that the police are doing a lot of work recently, strictly rectifying cultural and entertainment venues, and focusing on strengthening anti-pornography and illegal illegal work."

Ye Xing: "Teacher Ding has an acquaintance with the police, so please tell me in time if you know what the situation is... Of course I have to invite you, but you have to find things first. The set of "Ten Rong" you found, There must be pictures and information, and give me some insights!"

Ding Qi: "Isn't Mr. Ye saying that it's boring? It's better to go to a nightclub to perform live erotica."

Ye Xing coughed: "Don't get me wrong, Teacher Ding, I am using the purpose of studying and appreciating art to unlock new postures that have been lost in ancient times, no, new knowledge!"

Ding Qi: "Mr. Ye can check it on the Internet, and the news with pictures is available online."

Ye Xing: "The resolution of the pictures on the Internet is not good. Of course I want to see high-definition large pictures. Just use the camera I gave you to take pictures. Did you bring the camera with you?"

Ding Qi: "The library has high-definition data maps stored internally. I have a set of them in my mobile phone. Now send the original pictures to your WeChat. You can go back and post them slowly." He sent it on the spot. The picture is just a bit of traffic, and it avoids the camera.

Ding Qi's working method was really efficient. After more than a week, he finally found "Fang Wai Pictorial" in the rare ancient scroll donated by Zhang Jinlin. This discovery was purely accidental. Under normal circumstances, even if he saw the scroll, he would not be able to recognize it.

After discovering the Qing Dynasty block-printed version of "Ten Rong" by Ming Dynasty painter Qiu Ying, Ding Qi proceeded to sort out other ancient books. Still starting from the picture scroll category, this time he opened a volume of scripture. After opening it, he was slightly surprised. This is a long hand-painted scroll with the content of "The Lotus Sutra of Wonderful Dharma".

The scriptures and pictures are painted on rice paper, and then framed with silk and satin. There are a total of seven such scrolls in this batch of ancient books. Each volume is 32 centimeters wide. When opened, it is 5.62 meters long, and when rolled up, it becomes a cylinder with a diameter of six centimeters.

The yellowed ancient scrolls are very well preserved. The scriptures are neatly written in teeny lower script. The handwriting is strewn and dense in a regular pattern. There are a large number of Buddhist paintings in the white space. The subjects include various Bodhisattvas, Kings of the Ming, etc. Flying sky, lotus flower, seven treasures, dharma implements, dharma meeting and the scene of Buddha country.

The rice paper used for drawing pictures and the satin used for mounting rice paper is obviously not a thing of the same age, indicating that this object has undergone re-mounting and restoration.

There are only scriptures and Buddhist paintings on the ancient scrolls, and there are no other deposits. For the time being, it is difficult to judge the exact age. Based on the paper quality and the degree of oxidation and the painting style, Ding Qi preliminarily inferred that it was something from the middle of the Qing Dynasty. Ding Qi is not an archaeologist. He has only worked in the library for a long time and read a lot of related books. He has such a vague impression.

The Lotus Sutra consists of seven volumes and twenty-eight articles. There is no shortage of one volume here. This item should be the collection of Chishan Temple back then. It is rare to be so well-preserved. When Ding Qi organizes registration and indexing, he also produces video data. After all, who wants to study such ancient scrolls in the future, the fewer times they need to flip the original, the better.

The 5.62-meter long scroll is first placed on a special workbench to shoot a video of the uniform speed from beginning to end. Then, according to the unified specifications, the partial pictures are taken one by one, and finally a complete high-definition large picture is assembled by technical means.

At the end of the seventh volume of the Lotus Sutra, Ding Qi found a piece of rice paper that was supposed to be mounted by the restorer in the blank space left after mounting the scriptures. Someone left a record on it before he learned the origin of these seven scriptures.

During the Yongzheng period of the Qing Dynasty, there was a monk named Tan Hua at Chishan Temple. He volunteered to raise funds and practice sutras, begging for alms throughout his life, and invited famous local calligraphers and painters to draw these seven volumes of sutras. The hand-painted book was preserved in the temple, and then a master craftsman was invited to carve it into stone slabs and inlay it around the foundation of the Medicine Temple. It was not completely completed until the death of Tanhua during the Jiaqing period.

In the twenty-sixth year of the Republic of China, that is, in 1937, the Anti-Japanese War broke out in an all-round way. The Husong Battle was defeated, followed by the fall of Nanjing, and the Japanese invaders marched westward along the Yangtze River. The flames of war quickly spread to the Jinghu area. In the chaos of the army, many high-ranking officials and nobles fled with their families. They fled to Jiangxi and Hunan with the retreating troops, and the people also fled to the countryside to hide.

The monk in Chishan Temple almost ran away. Amidst the rumbling fire, a deacon monk of the Jinglu Academy escaped into the mountain with a shoulder carrying two camphor wood boxes. At that time, Chishan Temple was on the outskirts of the city, and the so-called mountains were uninhabited hills and forests not far from Chishan Temple. Carrying two heavy boxes on foot, he couldn't go too far.

There is a hidden cave in the mountain. It was a place for the monks of Chishan Temple to retreat and enlighten, so Xingfu only knew about this place. He sealed the entrance of the cave with **** rocks, and no one saw him again. It was not until after the victory of the Anti-Japanese War that the new abbot of Chishan Temple, Mr. Zhang Jinlin, led the monks to find here. Everyone opened the cave and found that Xingfu had already passed away sitting there.

Two camphor wood boxes were placed next to his spiritual bones, and there were traces of burning ashes on the open space in front of him. In the camphor wooden box are important scriptures collected by Chishan Temple, among which are the seven volumes of "Fahua Sutra". When Xingfu took the box and escaped into the mountain, it was raining heavily. He accidentally slipped on the road, and one of the boxes fell open. Many scriptures were wet.

The last thing Xingfu did was to set a fire in the hole to dry the scriptures, and then put them in a box for storage to prevent them from being bitten by insects and rats. Some scriptures may not have dried completely at the time, and they were kept in a box for so long, and the condition of preservation was already very bad.

The monks of Chishan Temple fell to the ground and wept and asked the abbot to erect the pagoda to enshrine the spiritual bones of Xingfu, and then ask master craftsmen to restore these scriptures. Zhang Jinlin really invited a master, this person's name is Wu Taixun. It took more than two years for Wu Taixun to repair these ancient scrolls of scriptures, and the most important thing is the seven volumes of "The Lotus Sutra of Wonderful Dharma".

When the last volume of the unrepaired sutra was left, Wu Taixun had an emergency at home and had to return. The record on the rice paper attached to the last volume of the Lotus Sutra was written by this Wu Taixun.

Wu Taixun lamented that, as the heir of the Jianghu Cemen, repairing the scriptures at Chishan Temple this time was the most painstaking thing in his life, and he also showed his inheritance skills. However, there is still the last volume of "Fang Wai Tu Zhi" that has not been repaired. It is a pity for life, and it is temporarily received in a golden box for repairs in the coming year.

Seeing this record, Ding Qi took out a small wooden box from the cabinet. When he sorted out these rare and ancient scrolls, he actually opened the wooden box first, but he didn't dare to move after watching it for a long time, so he put it back again.

If you don't know in advance what is in the wooden box, almost no one can recognize it. It is like a charcoal, the size of a two-dollar ham in a small supermarket.

This article was originally supposed to be a roll of rice paper atlas mounted on a backing paper, and it was dried after being wet, but it might have been unable to open at that time. The outside was dried and the inside was still wet, and it was packed in a box. After a long time, the texture was already yellow, brown, and brittle, and it was unrecognizable at all. Ding Qi didn't dare to touch it indiscriminately. This thing gave him the feeling that it would be broken into **** as long as it was opened.

Unexpectedly, this is the "Fangwai Pictorial". I found the thing, but I can't check it at all! He couldn't help but think of the restoration master Wu Taixun, who claimed to be the descendant of Jianghu Cemen. Cemen is one of the eight gates of the rivers and lakes, and Ye Xing also claims to be the descendant of the tired gates of the rivers and lakes.

Ding Qi didn't know the eight gates of the arena before. Even if he had heard of it, he didn't have a clear concept. He just thought it was all kinds of trades in the arena and performing arts in the past. However, Ye Xing recommended a book to him, which contained a lot of detailed introductions, as well as explanations of various quagmire threshold techniques and board game techniques.

The quagmire of the old age is divided into eight categories: shock, fatigue, drifting, book, wind, fire, jue, and wanting, covering all kinds of methods of walking the quagmire. But the real eight gates of the arena, after all, are far more than these, but the ways of all human beings in this world. Three mountains, five sacred mountains, five lakes and four seas, up to the temples and down to the markets, are all called rivers and lakes.

As the saying goes, where there are people, there are rivers and lakes. All the art of doing things in the world can be called the art of the rivers and lakes. There are eight gates in ancient times. However, since the end of the Qing Dynasty and the Republic of China, the so-called quagmire has been reduced to a small means for vagrant artists to cheat their mouths and eat. This is a narrow quagmire. Nowadays, the eight gates of the quagmire of the old society that many people talk about are completely narrow.

Broadly speaking, each of the eight has its own mystery.

Jianmen is the first of the eight gates in the arena. It is mainly to study good and bad luck and guide others. Well, nowadays, all fortunetellers are shocked. The ancestor of Jingmen was Fuxi and Zhou Wenwang. It is said that Fuxi painted gossip and Wenwang played Zhouyi. There is another patriarch who often worshiped by the warlocks of the rivers and lakes is Dongfang Shuo of the Han Dynasty. It is said that Dongfang Shuo once set up a stall in Chang'an City for divination.

If Jingmen also has a classic, it is the Book of Changes.

The eight gates of the rivers and lakes are headed by Jingmen, which is not unreasonable, because it studies the changes of heaven. Once Jingmen is proficient, the rest of the seven martial arts can be comprehended by analogy, deducing good, bad, bad, fortune, and changes in the world is the core of the world's Tao. Modern fortune tellers probably don't have this skill, but seeing people's eyesight is still a basic skill, and in a nutshell, quagmire is just looking at people's dishes.

Faimen, pay attention to the way of practicing medicine to save the world. The practice of medicine here includes not only rivers and lakes doctors, but also doctors in the church, and even ancient Wu Zhu, etc. As long as they use various methods to treat people, they will all belong to the tired family. There are two ancestors worshipped by people in the Tien Clan, the medical sage Zhang Zhongjing and the medicine king Sun Simiao. But nowadays, most people are referring to you Fangzhongzhong.

The Fatal Gate is second only to Jingmen and is the second of the eight gates in the world. Its status is also very important because it studies the knowledge of people themselves. Strictly speaking, the ancestors of the Tien Gate were Huangdi Xuanyuan and Yandi Shennong, who were also the legendary ancestors of the Chinese nation. The classics of Weimen are of course the "Huangdi Neijing" and "Shen Nong's Materia Medica".

Piaomen pays attention to the way of wandering to learn. The ancestor of Piaomen is Confucius, which is probably unexpected to many people. In modern times, vaudeville performers, performers on stage, and even firework prostitutes all call themselves people in the floating gate.

Cemen pays attention to textual research on modern and ancient studies. The ancestor of Cemen is Sima Qian. From time to time in modern times, those who made genuine and fake antiques, sold erotica, and sold calligraphy and paintings, all called themselves the people of Cemen, and even included tomb robbers.

Fengmen studies the geographical mountains and rivers of the world. The ancestor of Fengmen is said to be Guo Pu, so today's Feng Shui and Yinyang Homestead Master are all in Fengmen.

Huomen pays attention to various health-preserving techniques. The ancestor of Huomen is Ge Hong Ge Tianshi, and the classics include "Baopuzi", "Participating in the Same Deed" and so on. Then alchemy, alchemy, and Fangzhongshu are all tricks of the Huomen Jianghu people.

Juemen, what he emphasizes is the way of being an official. Legend has it that the patriarch of Juemen is Mr. Guigu, and the classics are "Guiguzi" and "The Warring States Policy". Mr. Guigu has two well-known disciples, Su Qin and Zhang Yi, and the traditional Juemen talks about vertical and horizontal techniques. Since modern times, the tricks of buying and selling officials, including fraud in the name of official institutions, etc., can also be regarded as quackman's quack tricks.

Yaomen, named for begging for food, pays attention to the way of downfall, and the thresholds of various methods show that people are humbled. This knowledge is profound, how should one deal with it when the times are bad? It is said that the ancestor of the main gate was Zhu Yuanzhang, and another said that it was Liu Xiatuo. It is no longer possible to test.

In modern times, those who beg for food at the lotus flower, those who eat the autumn breeze, those who pretend to be monks and nuns for alms, and even those who administer medicine and pat the flowers are considered to be the beggars.

It can be seen that the eight gates of the arena are all-encompassing, talking about the means and principles of doing things in the world. The quack art itself has no good or bad, just various methods, but the good and the bad are different in the quack. The eight gates of the modern arena are almost all quack tricks, which belong to the narrow sense of "walking the rivers and lakes".

In ancient times, people in the rivers and lakes had two particulars: "li" and "tip", also known as "shu" and "dao". It refers to the means, similar to business experience, to figure out people’s psychology, and to figure out which method to use to achieve the goal; the tip refers to the true ability, the true kung fu, and the road of pursuit.

For example, Tien Men talks about practicing medicine, "li" refers to how to play mystery and can fool people, and "point" refers to the true medical skills and practice.

When acting in the world, the words "li" and "tip" must not be neglected. Otherwise, even if you have the real ability, no one will be willing to buy it. As the saying goes, "Zhongzhongli, great; Lizhongjian, match god!" This is the truth.

But in modern times, the warlocks and entertainers who wandered the rivers and lakes have mostly studied the methods of abduction and deception, and most of them have become inferior. In fact, Jianghu Shushu itself is a university question, if you make good use of this method, it is enough to walk the world and seek a foothold.

To this day, the eight gates for making a living by various magic methods and philosophies have long since disappeared in the hustle and bustle of modern civilized society, but its all-encompassing inheritance is still looming around us in another way. Almost everywhere.

Now if you want to see the content on the "Fangwai Pictorial", you must first ask a master to fix it. Comparing the unrepaired "Fang Wai Tu Zhi" and the already repaired "Miao Fa Hua Hua Jing", Wu Taixun's skills are simply ingenious, magic is not enough to describe, it is simply magic!

Ding Qi thought to himself, since Ye Xing is also the descendant of the Eight Gates of Jianghu, let him find these strange men and strangers again.