Blue Essence Chart Chapter 24: Towards Chaoyang (Part 2)
Meng Chuan wrote a pen, and in the center of the whole painting, he painted the "world entrance" in thick ink. A monster is coming out of the world entrance densely and spreading in all directions.
He slowly draws, but only draws a rough phantom outline.
Then I focused on one of the monsters spreading in all directions, that is a mantis monster, the mantis monster was painted very carefully, because it was the most impressive when he was chased by the monster when he was six years old A monster.
……
When Meng Chuan was painting, the translucent villain began to radiate spiritual light again in the space of the eyebrows. For so many years, this is the second time that the translucent villain has changed since the "Sentient Images".
……
Meng Chuan was immersed in the painting. He mainly painted the mantis monster and a family of three who were pursued by the mantis monster.
The father was carrying the child and the mother was holding the sword but rushing towards the mantis monster.
On this picture alone, Meng Chuan drew very seriously for more than two hours. This is just a corner of this huge painting.
When he stopped writing, Meng Chuan discovered the change in the space of the eyebrows.
"The villain in my eyebrow space would glow slightly?" Meng Chuan was surprised, but the spiritual light gradually weakened.
"The appearance of this eyebrow space actually has something to do with my paintings." Meng Chuan was very surprised. At the age of 16, he drew the picture of "All Beings", which is also his most outstanding painting in many years. The night after the painting, he discovered the space between the eyebrows and the heart and soul. But at that time he did not dare to be completely sure about painting.
I am afraid it is just a coincidence.
But this time painting, the strong emotions are no less than when he painted "The Faces of All Beings", the scene where the villain in the eyebrow space shines, let him be completely determined.
is about drawing!
"I have never heard that painting will produce a mysterious heart and soul power?" Meng Chuan wondered for a long time, and did not want to understand, "Well, when you enter Yuanchu Mountain, you must find out."
At least for now, the power of the soul can help you a lot.
From this day on, Meng Chuan fully integrated the strong emotions in his heart into the painting. This painting also takes a long time, ranging from one hour per day to two or three hours per day.
After spending more than six months, Meng Chuan finally finished painting.
This is a set of pictures divided into three pictures.
The first one, six feet long.
In the center of the scroll, there are dense monsters coming out of the world entrance and spreading around.
Monsters chase everywhere.
There are parents who want to protect their children, but they are all pierced by the monster's sharp tail.
scenes with corpses everywhere.
There are children standing there crying, and the old man meets the monster scene.
There are also fathers carrying children behind their backs and mothers holding swords to resist monster scenes...
Meng Chuan drew a total of 38 scenes, each of which clearly depicts monsters and people. Those are the scenes he experienced or saw in person. Each painting... makes the "flame" in his heart even hotter.
……
Then around.
A little further away from the monsters, the disciples on the road, street vendors, and ordinary pedestrians are all panicked.
……
the outermost.
There is Yuyang Palace, and three gods and demons are waiting for it.
has other places everywhere.
In the Daoyuan, all the weak disciples entered the tunnel, and the more powerful disciples were either persevering or looking at the monsters in the distance. Under the leadership of the dean's instruction and others, these teenagers, together with some retired adults, are preparing for the battle.
ordinary houses, restaurants and other prosperous places, the family of gods and demons... without exception, women and children, old and weak, and other weak people are lining up to enter the tunnel.
And each one is powerful, regardless of men and women, regardless of the old and the young, all facing side by side.
……
The sun in the picture scroll has just emerged from the edge, clearly indicating that the demon invasion was in the early morning hours.
This is just the first painting.
The second painting is eight feet long.
is much cruel and bloody.
The core area invaded by monsters in the center of the screen is a corpse, which is common to men, women and children, and some young people are wearing Taoist robes.
And in all directions, it is fighting everywhere.
One human warrior holds a shield against the monster, and another human warrior shoots an arrow in the distance.
A humanoid's abdomen was pierced, but he could still hold the monster tightly. Another companion cut the monster's head with a knife.
Human races set traps and successfully killed monsters. There were other monsters rushing by.
Father and son joined forces to deal with the monster.
Veterans with disabilities are dealing with monsters.
……
All kinds of tragic scenes that Meng Chuan had seen with his own eyes, and it is common for Dongning to be invaded by demons. He just drew all of these in his memory. In the eyes of those who have died together with the monster, the companion still continues to fight in pain...
"Why are they so desperate?" Meng Chuan was confused.
can be in the process of his painting.
Putting out a living person, he will understand.
They are for hope.
There is hope for the loved ones I care about most. You can also see the sun rising.
They need to fight and give the family a way to live.
……
Daoyuan is also fighting there, the demon clan has entered the Lieyang Fort, and a famous veteran, soldiers, and young children are resisting frantically. Using life to build a wall to protect the weaker teachers and sisters who are hiding in the tunnel.
……
Family is also fighting, an elder is rushing to the front to resist the monster, and younger juniors and teenagers are also fighting. An old bald man rushed to the front, but his chest was penetrated by tentacles, but he still killed a monster with a knife.
……
Yuyang Palace is also fighting, a demon has fallen, a female demon is struggling to support, but only a male demon is still fighting against four demon kings.
They only have one demon left and enough fighting power, but they are still fighting.
is also for hope.
……
The sun in this painting has risen again~IndoMTL.com~ is higher.
The whole picture is fighting everywhere. Meng Chuan painted this picture for three months.
The third painting, one foot and six feet long.
The situation on the whole battlefield was reversed. People in all directions began to attack the monsters, and the monsters began to flee.
All monsters are at large.
They will also be afraid, embarrassed, and will be killed one by one.
They rushed madly towards the central'world entrance', that's where they came from, and now also where they escaped.
and the periphery.
Yuyang Palace, a sword of light fell from the sky to the demon king, and other demon kings also fled in embarrassment.
In the Daoyuan, everyone is treating those severely injured companions, including adults and teenagers.
There are also people who died in war, men and women, young and old, who died in war, or are still very young, or very beautiful, or very old. Many people beside the people who died in battle were crying and sad.
everywhere.
ordinary houses, restaurants and tea houses, demon families, etc., have begun to treat the wounded and conquer the dead bodies of the war dead.
And there are many monster bodies scattered around, but people are too lazy to take a look, they are more to take care of the wounded and grieve for the war dead.
Despite the victory, won't feel joy in the whole painting. What he felt was ‘war of intent’, a stronger sense of war! The hero is dead, but people who are alive will continue to advance and fight, and never stop.
In the east of the city, the sun rises even higher.
The color of this painting is also the brightest of the three paintings.
……
Meng Chuan was silent for a long time after painting, and then he wrote four words on the last painting-"Towards Chaoyang". He didn't write a name for the first painting and the second painting.