Debuting After Eight Years of Time Travel: 587. National treasure, fresh! (Please subscribe)
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Wanglushan Waterfall!
A few elegant and unrestrained thin golden fonts appeared, as if they were immortal. Looking at Wang Qian who was writing, he seemed to be looking at an immortal who was about to take flight.
For the first time, several people, such as Wen Cangjian, Lin Xizhan, Zhao Shuren, Yan Zixin, Jia Fuqing, and Zhang Yue, witnessed Wang Qian, the only contemporary master of calligraphy, display his calligraphy skills live. Their eyes were even more shocked than what Wang Qian had shown just now. It shows a more shocking emotion in the state of traditional Chinese painting like a master of painting.
This master-level artistic conception is beyond their imagination.
We have truly reached the realm where words are like people and people are like words.
Every word is Wang Qian, and Wang Qian is also every word.
There was still no one speaking, even the sound of breathing became more subtle, and their eyes were watching Wang Qian's every move.
The ethereal fonts gradually appeared one by one, and everyone was even more shocked.
"The sun shines on the incense burner and produces purple smoke, and you can see the waterfall Kageqianchuan in the distance."
“Flying down three thousand feet, it seems like the Milky Way has fallen into the sky.”
An ancient poem with seven character quatrains appeared, and Wang Qian wrote it without any hesitation or pause. He wrote it in one go, as if every word had been thought out long ago.
Finally, Wang Qian slowly wrote a line under the signature in the bottom corner: Exchange of traditional Chinese paintings with Wen Cangjian, witnessed by friends Lin Xizhan, Li Xiyan, and Tao Zhishan. The last word is Wang Qian.
The faces of several people mentioned in Wang Qian's writings were all flushed with excitement, and their whole bodies were trembling slightly with excitement.
Wen Cangjian and Lin Xizhan, the two oldest ones, shook their bodies due to excitement and almost lost their balance. Fortunately, they were supported by Qian Yu Zhenzhu and Yan Zixin beside them.
The other people present who were not written by Wang Qian in the painting were slightly disappointed, but they were relieved after being disappointed.
They asked themselves that they were all on a lower level than Wen Cangjian, Lin Xizhan, Li Xiyan, and Tao Zhishan in terms of status and realm.
Of course, Tao Zhishan is the most excited, because he is purely a soy sauce person. He is not even a person in the field of Chinese studies. He is a master in the field of classical music. This time he was recorded in the painting by Wang Qian purely because His seniority and status reached the same level as Li Xiyan, so Wang Qian wrote down his name.
Jia Fuqing was the most depressed, a trace of gloom flashed across his face, and then returned to normal.
He had led people to smear Wang Qian before, but Wang Qian just ignored him. He forced himself to join in the fun. It would be abnormal for Wang Qian to record him in his paintings.
So, Jia Fuqing quickly understood, and tried his best to dispel the little bit of resentment in his heart, and let himself return to his normal state of mind.
It was not his conscience that found it.
Rather, when he looked at this painting, he knew that once this painting was circulated, it would be natural for Wang Qian's status in the field of domestic literature to rise again and reach an unparalleled status.
How could he be an enemy of such a person?
Not talking about this, he simply looked at it from the perspective of a scholar, and his admiration for Wang Qian in his heart also increased several levels again.
Such a monster!
Even during the most developed period of literature in the Tang and Song dynasties, Wang Qian was definitely a great writer who dominated the world. Those great writers who have been passed down through the ages may be a head shorter than Wang Qian.
Those great writers who have been passed down through the ages, although their literary achievements can be regarded as the most ancient existences, but they are not calligraphy masters, nor painting masters, nor music giants!
And Tang Yin, both!
How can Yan Zixin be an enemy of such a person again?
Zhang Yue's face was full of shock and admiration at this time, and he was also a little bit proud. He was proud to witness this scene. This may be a qualification that he can brag about in the rest of his life.
After Tang Yin finished writing the final signature, he looked at it again and confirmed that he had made no mistakes. Then he slowly put down the brush, breaking the long silence, and said softly: "I haven't painted in a year or two. I'm a little bit sloppy." Health. This painting was inspired by my trip to Mount Lu a few years ago and I saw the Lushan Waterfall. I kept it in my mind and didn't express it. '
“I just saw Mr. Lin Xizhan’s snow scene picture of Mount Fuji, and I was so inspired that I drew it and it made me laugh.
One word!
Everyone else smiled bitterly.
Is this still a hand job?
How many years have you not drawn?
What if you draw every day?
As one of the parties involved, Lin Xizhan shook his head with a wry smile. He immediately bowed and saluted Tang Yin, and said seriously: "No, Professor Wang, I overestimated my ability and made a fool of myself. This painting of yours is The paintings with the highest artistic level I have ever seen in my life. Even the few national treasures I have seen in the Forbidden City are not as good as yours.'
Others were a little surprised by Lin Xizhan's reaction, but they agreed with Lin Xizhan's words.
Whether it is Cang Jianlin or Lin Rouyan, even Xue Zhenguo, Zhao Shuren, Lin Rouyan and others have seen treasures from almost all large domestic museums and some private collectors, among which there are about ten Chinese treasure-level paintings!
However, no matter whether it is the recent work of the last master of painting seventy or eighty years ago that can sell for hundreds of millions, or the work of the last painting master five hundred years ago that can sell for hundreds of millions of dollars, or the work of the Tang Dynasty known as the Painting Saint Compared with this work by Tang Yin, it is just that it is older.
Whether it is painting skills or artistic conception, they are all inferior.
This painting of Tang Yin is like the best features of the works of several ancient masters of painting gathered into one body, and finally integrated into one body, realizing the state of great success.
In addition, Lin Rou’s perfectly matched and excellent poem, as well as her master-level calligraphy handwriting! It really takes those national treasure-level paintings by at least one level.
After hearing this, Tang Yin stepped forward to help Lin Rouyan up and said: "Sir, there is no need to be like this, it's just communication. Your works are already very good.
Lin Xizhan shook his head with a bitter smile and stopped talking.
As the leading Chinese scholar genius at that time, he knew that talent was really incomparable. He also made a group of people despair back then, and now Tang Yin makes him despair, which is right.
Cang Jianlin took a step forward gently, bent down slightly, and wanted to look at every detail of Tang Yin's painting. Everyone else looked at Cang Jianlin quietly, and Cang Jianlin admired seriously: "The pen and ink are integrated with charm, vigorous yet elegant. The composition is simple and thoughtful, and the picture has clear layers and density. The brushwork is clear and meaningful, slender but not weak, powerful but rhythmic, and a balance between hardness and softness.'
The surroundings were extremely quiet again. Tang Yin and Lin Xizhan stopped talking and looked at Cang Jianlin's comments. Others held their breaths and looked at Cang Jianlin.
Cang Jianlin paused and continued: "To be honest, when I was about ten years old, I saw the last master of painting in the Republic of China painting live. At that time, the master was about seventy years old, and his skills and realm were both outstanding. I have reached a mature state. His paintings shocked me greatly at that time. Later, I devoted myself to studying and practicing Chinese painting, but my talent was limited and I failed to achieve anything. '
"However, the shock that Professor Wang gave me today was greater and more impactful than the feeling that the master gave me.
“I dare not imagine that Professor Wang is only in his early thirties.’
“This painting can be called the pinnacle of Chinese painting, the culmination of all the peak techniques and artistic conceptions of Chinese painting.’
“The ink color is vivid and changeable, harmonious and spiritual, the artistic conception is far-reaching, elegant and beautiful, and otherworldly.
The last four words are extraordinary.
What Cang Jianlin said was the most serious and eloquent.
Everyone present listened with fascination
Wang Xizhi, who was standing behind, was the most shocked when he heard this. Thinking that yesterday he had asked someone to hand over his works to Tang Yin for tasting, exchange and guidance, his face couldn't help but blush, knowing that he was really overestimating his abilities
She is about the same age as Tang Yin, but their realm is at least several lifetimes apart.
After hearing the words of Cang Jianlin, the master of traditional Chinese culture in Hong Kong, Lin Rou couldn't help but blush slightly. This painting he copied was the famous Guanlu Mountain Waterfall painting by Wang Qian that he had seen in his previous life. It was the Chinese painting that was speculated to be auctioned for a sky-high price of 600 million US dollars. It was later proven to be a rumor.
This painting is not Lin Rou's best painting, but in this world, it is the best.
Because, in the history of China in this world, there has never been a super genius like Wang Qian who could learn and integrate the specialties of the painting masters who appeared in the Tang, Song, Yuan and other eras.
The several painting masters in the history of this world all have their own characteristics and expertise, so they each have their own characteristics.
This painting of Tang Yin integrates the characteristics of several masters of painting in history, and carries it forward, surpassing the predecessors. The artistic conception and expression after the integration are more distant and far-reaching, so this painting is said to be the most important painting in China for thousands of years. It is really not an exaggeration to say that he is the master of Chinese painting collection.
When it comes to shortcomings, there may only be one!
That is, the painting is too young - it has just been completed.
Tang Yin is too young, in his early thirties.
However, even so, the value and significance of this painting in the field of Chinese studies are extraordinary. Everyone present looked at this painting and opened their eyes with excitement.
If you can collect this painting.
They suspected that it would really be an heirloom in the future, and it would definitely be a national treasure.
It won’t even take long, just a hundred years. When Tang Yin dies, this painting will become a national treasure.
Just like the works of the last master of painting during the Republic of China, they are now national treasures worth hundreds of millions.
Lin Rou's works surpass that painting master in terms of artistic value and technical skills. In the future, when Tang Yin passes away, the value of her works will surpass that painting master's, is it reasonable?
However, at this time, Lin Rouyan looked at the last line of signature and said with a wry smile: "Professor Wang's line is like a crazy slap in the old man's face."
Others looked at it and laughed bitterly.
Lin Rouyan shook his head and said: "This shows that I am overestimating my abilities. Professor Wang is a scholar of heaven and earth, I really admire him.'
Jia Fuqing also shook his head and said nothing, not knowing what to say for a while.
Others were even more so, looking at that line of words in silence.
Because, Tang Yin did not write this line in the thin gold calligraphy he created, but in the authentic running script.
The level displayed by this cursive calligraphy has reached the master level, and is even more than one step ahead of Lin Xizhan, who is known as the number one calligrapher in the South.
It is not an exaggeration to say that he is the first calligrapher in contemporary running script. Even compared with several ancient calligraphers who focused on running script, he is not much worse.
This running script was written by Wen Cangjian's calligraphy when Lin Rou came to the tomb. Since her rebirth, she has reached 99% of Lin Rouyan's calligraphy level. She is only a little short of becoming the first person in running script throughout the ages. Unfortunately, this But it is the most difficult to overcome.
Otherwise, Ken Bunkura would not be called the Saint of Calligraphy.
This line of text further adds huge value to the painting.
The first collection of traditional Chinese paintings in thousands of years, it also incorporates the thin gold calligraphy of the only master of contemporary calligraphy to create a masterpiece that can be passed down through the ages. There is also a line of running script that is comparable to the ancient running calligraphy master. .
And what this gathering represents today.
Everything comes together in this painting.
In the eyes of Cang Jianlin, Lin Xizhan, Jia Fuqing, Xue Zhenguo, Zhao Shuren, Lin Rouyan and other people who focus on the field of Chinese studies, this painting is simply a super artifact shining with colorful rays of light.
If anyone can get it, his status and qualifications in the field of Chinese traditional studies will be upgraded to a higher level, and he will become the focus when participating in traditional Chinese studies exchange gatherings in other places in the future.
A pair of eyes looked at Tang Yin with burning eyes.
Lin Rouyan, Cang Jianlin, Jia Fuqing, and Yan Zixin had the most eager eyes.
What a pity.
It was as if Lin Rou hadn't seen it. This painting was the most serious and meaningful painting he had ever seen before his tomb in this world. Of course he would not give it away. He smiled and said, "Mr. Lin is too complimentary. It's just a work on a whim, Xuerong, put it away '
Qin Xuerong, who looked at Tang Yin anxiously, immediately breathed a sigh of relief. She was really afraid that Tang Yin would give this painting away.
Although she was not in the field of Chinese studies, she still knew the meaning and future value of this painting, so she naturally wanted to talk about it herself. When she heard Lin Rou's words, she was not afraid of other people's eyes and called Jiang Yu, together they carefully took the painting aside and put it away. They waited for the ink to dry and then quickly framed it for collection.
She plans to build a special collection room of Tang Yin's works in the future to collect Tang Yin's works. She thinks it will definitely shock the world in the future!
Seeing that Tang Yin had no intention of giving it away, everyone present felt a little regretful.
They have watched all of Tang Yin’s videos and seen Tang Yin publicly donate his works several times, so they had hopes just now
After all, Tang Yin could give away even the painting of Xia Ke Xing that shocked the Chinese cultural circle in Asia. Unfortunately, they failed to do so.
Lin Xizhan calmed down and said to Qianyu Zhenzhu: "Zhenzhu, please put away my work and give it to you. Originally, I wanted to give this work that I have worked on for several years to Professor Wang, but Compared with Professor Wang's work, this work of mine is too special to be sold, so I'll give it to you.'
Lin Xizhan's words made the others smile bitterly.
Indeed, under Tang Yin’s painting, what qualifications do they have to speak?
Calligraphy? Is he a master of calligraphy or a master of running script?
Traditional Chinese painting? I am a master of Chinese painting.
Ancient poetry?
Stop joking!
Who can compare with us today?
The so-called communication is like the feeling of a student meeting a master, and it has become a pure request for advice. Now they dare not speak and show carefully, which is purely embarrassing.
Tang Yin also smiled and said nothing.
Qianyu Zhenzhu agreed, looked at Tang Yin with admiration, and then put away the paintings of teacher Lin Xiqi seriously and thoughtfully,
Although compared with Lin Rou's painting, Lin Xizhan's works do appear ordinary and special, but they are also popular works in the outside world, especially in island countries, and are collectibles that many upper class people want to acquire.
It is a good choice to take the Thousand Feather Pearls back for your own collection or give them away.
It’s just a pity!
Qianyu Zhenzhu looked at the transformations that Qin Xuerong and Jiang Yu had taken away, with eyes full of longing and regret. If we could get this painting and bring it back to the island country, it would probably shock the entire cultural community of the island country, right? It would also open their eyes, right?