Galactic Garbage Station Chapter 835: Genius

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At first glance, the everything in disorder drawn by Su Jing is piecemeal, which is like a lot of garbage. Draw this for a while, and then draw that for a while, and draw only a part of it all, messy. However, a closer look at the Su Jing's writing, everyone had to be surprised.

It is obvious that Su Jing is not deliberately drawing something, but learning various techniques.

The technique of Chinese painting can actually be understood as the method of using brushes by Chinese painters, that is, the technique of using brushes and inks produced by brushes. In the middle of ink technique(s) includes the technique of color. In the development process of Chinese painting, especially after the Yuan Dynasty (the intervention of literati painters), the lyrical meaning of Chinese painting became stronger and stronger. The meaning of pen and ink in Chinese painting is no longer a simple technical issue, but a synonym for Chinese painting. In the brush-and-ink concept of Chinese painting, the spirit of Chinese painting is penetrated. Simply put, the strokes of Chinese painting are composed of points, lines, and surfaces, and the use of lines is the most important. The ink method is to use the effect of water to produce different changes in concentration, lightness, dryness, wetness, depth, and lightness. The method of writing lines in Chinese painting is called “using a pen”, and the method of Chinese painting with water and ink is called “using ink”. Whether using pens or inks, they are all broad and profound, all-inclusive, and can be divided into many and many kinds.

For example, if you use a pen, there are points for the center and side. The center should use the pen to be correct. The pen should be in the middle of the ink line. The force of the pen should be even. The side front uses the pen to hold the pen to the side. The front of the pen is on the edge of the ink line, and the front of the pen forms a certain angle with the paper surface. The force is uneven, and the effect is fast, slow, light and heavy.

The pen is divided into forward and reverse. The forward generally refers to the direction of the stroke of the pen and the inclination of the pen barrel. The effect is smooth and straight. Retrograde is a retrograde stroke (that is, the habit of moving the pen in the opposite direction), and its effect is dry and naive.

The pens are divided into Jufeng and Sanfeng. Jufeng means that the pens are brought together to form a single stroke. Sanfeng refers to the spread of the pen front, which is multi-frontal (also known as "flower pen"), and its effect is dry and varied.

In addition, the speed of using the pen will also have a great impact on the picture. When to use what style of brush and what kind of effect is achieved, it is ever-changing, and the basic skills are broad and profound.

In addition, ink is used. In ancient Chinese paintings, there is a saying that ink is multicolored, that is, black, white, deep, light, dry and damp six effects. The method of ink is to reflect the rich changes in painting, "pen is bone, ink is meat". So the ink method can be said to be a method of using water. According to the amount of water, we are divided into five steps: coke, thick, heavy, light, and clear. Because ink has new, old, old, and changed, the quality of ink is divided into five types: new, coke, night, back, and Egypt. Due to the different treatments of ink colors, different images of ink changes are produced, which can be divided into five senses: dry, dry, moist, wet, and li. In the pen and ink, the brushwork emphasizes the internal force, while the ink emphasizes "live" and "change".

The method of using ink, predecessors have a lot of experience, summed up, there are seven main methods: thick ink method, light ink method, coking ink method, Su ink method, broken ink method, accumulating ink method, splash ink method. Various ink methods are also ever-changing.

It can be said that traditional Chinese painting is difficult to learn, and it is not easy to get started. Learning one of these basic techniques, I am afraid it will take a lot of time. If you want to learn all and master it, it will be even more difficult. I am afraid that two years of learning will make limited progress. Now, Su Jing is using all kinds of techniques. Originally, I just started to learn, so greedy, I'm afraid I can't learn anything. But looking at Su Jing, the first time he used the center, it may be insufficient, but the second time, it became much better, the third time, it became closer to perfection, and then use it again, even without exception is not smooth Come back. The same is true of other brush strokes and ink strokes.

That is to say, at first glance, Su Jing draws some disorderly things, but his various techniques are rapidly adept at extremely terrifying speed, and various difficult techniques, he actually uses piece a cake.

"Oh my god, is my dazzle? Splashing ink, did he learn to splash ink in two or three times?"

"We have learned various difficult skills that we haven't learned for a long time, and he actually learned them in two or three clicks."

"Oh my god, look at the half mountain he just painted. Is this a painting by a beginner of Chinese painting?"

"He would n’t have been a master of traditional Chinese painting, would he deliberately be a pig and a tiger?"

A lot of people present felt that Su Jing was not a beginner, but a master of traditional Chinese painting that he had studied for a long time, deliberately playing pigs and eating tigers, and deliberately pretending to learn step by step, otherwise it would be impossible at all. There are people who learn Chinese painting so fast. Otherwise, this is simply evil.

Cheng Shiyao and Zhu Yan looked very surprised, Huang Jinghong frowned slightly, Su Jing was excellent in other aspects, and that ’s all. I thought that at least in terms of Chinese painting, he had the upper hand, but now, his self-confidence The heart was greatly hit. Regardless of whether Su Jing is a master of learning ability or a master of traditional Chinese painting, the result is that Su Jing's's level of Chinese painting exceeds him in minutes.

However, although Cheng Guyi is shocked, I believe that Su Jing is indeed a beginner. Every stroke of his painting is to verify his own question. It seems like disorderly is a painting, but there is no waste. pen and ink. Cheng Guyi was excited, he knew he met a genius, super genius, peerless genius.

In fact, it ’s not an exaggeration to say that Su Jing is a genius. Su Jing has several advantages that ordinary people do not have. First, he has long been proficient in calligraphy and can be called a master of calligraphy. Although calligraphy and Chinese painting cannot be confused, there is something in common in the use of pen and ink. A master of calligraphy It is much more natural and natural to use pens and inks than ordinary people. Secondly, his memory and thinking ability are far superior to ordinary people. He can remember every skill and every detail clearly. When writing, he will not worry about this Forget about that, he can think about everything in all aspects. He is clearly a novice, but like a veteran, he has a pen in his chest. Thirdly, his physical fitness is far more than ordinary people. His eyes are clear, his hands are steady, and his mind is calm. One micron, that is one micron, will not be more than half a minute, this control force allows him to control his pen freely. In addition, Su Jing is still Spirit Reader Master. He can construct a picture through spiritual force, which can make each stroke more detailed.

Combining the above points, let Su Jing learn to reach the level that ordinary people can't match. He is not only a genius of painting, but almost in all walks of life. He is a genius among geniuses.