I Teach Kendo in Tokyo Chapter 83: Shen Yin


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Although Kazuma wants to immediately go to see what the General Affairs Department is transferring, but he has a very serious problem in front of him now, that is, how to leave the office without disturbing the little boss in the office .

The office is not big, the little boss is facing the door, and his line of sight just perfectly blocks the only way out of the room.

Now there are two dead spots in the whole room, one is the area behind the head of the little boss, and the horse is hiding here.

The other is the area covered by the desk in front of the little boss, just enough for a secretary to kneel.

What the **** is a secretary kneeling down, my brain is normal for me, don't think about it all day just because I'm only eighteen years old.

Eighteen-year-old freshman self-corrects his unclean mind.

But the fact that I'm stuck here hasn't changed.

And in this state, if someone raises their eyes slightly when entering the door, the situation will be very embarrassing.

He and Ma were contemplating going back and forth, and at one point they wanted to stun this guy with a direct drop.

But reality is not a game, and if an intrusion is detected, the police will intervene.

At present, the criminal investigation technology has not yet developed to the point where DNA can be traced with scattered hair, but if the police search, they can check eyewitnesses, take fingerprints and so on.

No matter how strong the lawyers of the Nanjo Consortium are, it is unlikely that they will be safe in that situation.

What's more, he and Ma are going to enter the Metropolitan Police Department in the future, and they can't have a criminal record.

He could only resist the urge to press the dog's head down onto the tabletop and find another way.

There are anti-theft nets on the windows behind, give up. The air vent on the left is too narrow, but Qingliu can try it to see if she can get in.

He and Ma looked around and felt that the only option was the dog head in front of Hammer.

At this moment, the other party stood up restlessly and turned around.

He Ma used the strength of his waist to lift his feet abruptly, so his whole body weight was put on the bar on which the blinds were hung.

The little boss looked out the window and recited something: "I won't be cut off by that Kiryu halfway..."

He Ma can't take care of that much at this time, he's focusing all his attention on his abs.

Fortunately, he usually pays attention to the training of his abdominal muscles, so he can barely maintain an L-shape.

Fitness terminology seems to fix what this is called, it is an advanced project anyway.

Just as Kazuma couldn't hold on anymore, the little boss made up his mind: "I have to go and see. If that thing is lost, I can't afford it."

With that, he quickly left the office.

As soon as he left his forefoot, He Ma jumped off, gasping for breath, rubbing his cramping stomach.

—Take advantage of this opportunity to sneak away!

He Ma just thought about it when he heard the sound of the little boss's shoes rubbing on the ground at the door - this guy turned around and wanted to come back!

It was too late to get on the roof, and Kazuma could already hear each other twisting the doorknob.

Suddenly, he was in a hurry and rushed to the side of the door axis, so that the door could just block him after opening the door.

Muttering, "Where's my key?", the little boss walks through the door and goes straight to the desk.

He and the horse came out from behind the door, tiptoeed away, and when the little leader turned around, he had nowhere to hide.

After slipping into the corridor, He Ma strode to the exit. Unexpectedly, the front door slammed open, and the two female staff went out with the little girl who had just placed a sandbox in the room.

And the horse slipped through the side door at the last minute.

Go in and smell it before he realizes he's in the toilet.

A buddy is whistling in front of the urinal while relaxing and shaking.

Seeing the situation, He Ma turned over and climbed over the wall of the next squat toilet cubicle. The tops of these cubicles were all connected.

I didn't expect that there was someone in this compartment. This guy in the squatting pit was holding a newspaper and just turned to the page of betting on horses. There was a Panasonic portable radio on the shelf next to him.

The earphones plugged into the radio are obviously leaking air, and Hema can hear the live broadcast of the horse racing inside.

"Come on, Silent Suzuka! You are the best!" The dude held the newspaper in one hand and the betting ticket in the other, "I've put all my salary on you this month!"

Silent Suzuka should be the name of a racing horse.

Speaking of which, Sister Gan seems to have said when she was in the hot spring resort that her Longtan mouse has retired, and this year's competition is a new horse that has just been raised. It seems to be called a special week or something.

At this time, the brother who gambled on the horse let out a pitiful scream: "Oh! Where did the special Zhou come from! I have never heard the name of this horse!"

I was speechless with Ma. Could it be that Sister Gan's house is actually a super big horse farm? How could the average horse farmer produce champion horses one by one.

Of course, it's also possible that Sister Gan's father is very angry with Kao, and if he only draws a miracle, he will be shocked ten times in a row.

He Ma looked out and saw that the buddy Shuo had left, so he dropped the sighing gambler and turned over the wall.

This time he came to the corridor normally.

From a distance, you can see that the little boss just turned into a fork in the corridor.

——He probably went to the General Affairs Section to supervise the transfer of "that thing".

What the **** is so mysterious.

He Ma was very curious and followed.

He came to the place where the little leader's figure disappeared, and found that the iron door that was locked before was now wide open, so he touched it.

Going in is an iron staircase going down, and after walking a dozen steps and the horse finds itself in a garage.

The little boss is directing someone to load a crate onto a truck.

Looks like this is the one that has to be moved.

Hiding with the horse among a pile of cargo boxes, waiting for an opportunity.

The little leader finally confirmed that nothing was wrong, jumped from the body of the truck, and clapped his hands: "Okay, you have a good journey."

The driver responded with a sound, then turned into the cab and started the car.

Seeing the opportunity, He Ma jumped up, rushed to the side of the car in three steps and two steps, and turned over.

There is no one in the body, just the crate.

Let's lie down in the bucket with the horse, clinging to the iron floor, so that no one outside can see you.

The car started and left the warehouse.

And Ma breathed a sigh of relief.

He's ready to jump out of the car with the suitcase when he's far away.

Mikako is still hanging out in the facility, and Marco can't leave her alone.

Sit up with the horse and start examining the crate.

The nails were driven in such a hurry that they felt like they could be pulled out with a finger.

So he did.

The box opened within two clicks, stuffed with straw.

He and the horse scratched in the straw a few times and found a statue.

When he first touched the statue, he thought it might not be the kind of statue with an indescribable octopus head, only to find it was a pottery figurine.

Looking at the style, it looks like something from the Jomon period.

The first time I saw a pottery figure of this shape and Ma Ma was in Osamu Tezuka's masterpiece "Three Eyes Boy".

In Fujiko Fujio's "Doraemon" novel "Nobita's Birth of Japan", people in the 23rd century used this thing as a subordinate.

“Fufu Technology is reselling ancient cultural relics?”

He Ma whispered, carefully observing the pottery figurines, and always felt that they did not look like cultural relics.

He reached out and touched the box again, only to find another.

He Ma holds two pottery figurines with question marks all over their heads.

The sharp-eyed he soon discovered that the two figurines were identical in detail, even the patterns were the same.

The Japanese in the Jomon era had such a "craftsman spirit" - shit, it was clearly made with the same set of molds!

Fufu Technology, shouldn't it be selling such fakes to customers?

It really needs to be transferred, after all, it is suspected of fraud, or at least selling counterfeit products.

Speaking of which, if it is said that the stimulant is actually vitamin C, does this count as selling fake and shoddy products?

This thing has absolutely no value to steal. After making such a judgment, Kazuma put the thing back in the crate, and then pressed back the nail that he had just pulled out with his bare hands.

Then he was about to wait for the next traffic light to get out of the car and flash.

At this time, the car turned a corner, and the sign at the intersection indicated that it was leading to the Guanmen Strait Undersea Tunnel.

The car is heading for Honshu.

It's just a box of fake pottery figurines, do you need to send it to Honshu?

Considering that the car would not stop until the exit after entering the tunnel, Kazuma decided to jump out of the car.

Just now, the car is not going fast.

Nevertheless, Kazuma rolled a few times before getting up when he landed.

As soon as he stood up, he did not stop to hide from the car coming from behind.

Fortunately, the car behind also just turned the corner, and the speed is not fast.

The driver rolled down the window and protested to Hema: "Do you want to die!"

And the horse bowed to the driver.

He's getting used to Japanese thinking now: I'm bowing, what else do you want?

He trotted all the way up the pavement with Ma, relieved.

——Meet Mikako next, then go to Okusu Shrine to see what's going on there.

But in this age of no cellphones, how can you reunite with Mikako?

He Ma looked at his watch, it was still early before the appointment with Mikako, and if we hurried to the agreed meeting place now, we might have to wait for a long time.

Sure enough, it's better to stroll back to the Welfare Technology facility to see what's going on.

I enter through the main entrance with dignity, and I can paralyze the enemy.

Suddenly, Kazuma stopped.

Because he saw a Jomon-era terracotta figure standing in the middle of the sidewalk in front of him - exactly the same as what he had just seen in the car's crate.

whatthef**k?

He Ma rubbed his eyes and looked closely. The terracotta figurines were there, standing in the middle of the sidewalk as if no one else was there.

Damn it...

The doll looked at Kazuma with eyes that looked like two horizontal walnuts. It was a little scary.

Suddenly, He Ma suddenly found that there was no car on the road beside him. He had just been scolded by a car behind for jumping.

As far as I can see, the road is empty.

At the traffic lights not far away, only the red lights are on and off regularly.

Damn it.

At this moment, Kazuma suddenly heard someone singing a nursery rhyme.

かごめかごめ (circle, circle, circle)

The bird in the cage (the bird in the cage)

いついつ出やる (When can I fly out of the bird cage)

The night before dawn

Crane と亀がSlide った (The crane and the turtle slipped)

Back ろの front だあれ? (Who is behind you?)

To be honest, this nursery rhyme is usually a creepy feeling when sung normally, but now facing such a pottery figurine, I suddenly heard this nursery rhyme, and I had goosebumps on the back of Kazuma's back.

The voice of the nursery rhyme came from behind Kazuma, and I always felt that the guy was getting closer and closer.

He Ma suppressed the urge to look back.

The nursery rhyme began to be sung for the second time, and I shook my head with Ma, and found that the distance between the pottery figurines was getting closer.

Evidently he didn't move at all.

"That thing" humming the nursery rhyme behind it is also getting closer.

In addition, the singing method of nursery rhymes has also changed, and there are many more "sounds of air", which makes people feel like a gust of wind out of thin air.

He Ma glanced up at the sun, only to find that the sky was overcast at some point, and the surrounding light looked like dusk had come early.

Kawama clenched his fists - if you have a knife by your side, you can cut a future.

I don't know if the fist will work.

The nursery rhyme coming from behind began to sing for the third time, and the terracotta figure in front shortened the distance again.

At this time, He Ma suddenly remembered that Yuzao had said that if he found himself being dragged into an abnormal space, he would sing that popular song.

So and Ma took a deep breath and started singing.

Although he is now known as a musician, his singing level is almost equal to none.

But that's not the time to worry about it.

The moment the first syllable came out, it was obvious that the pottery figurine trembled.

But the nursery rhyme of "The Bird in the Cage" coming from behind was louder, as if trying to overwhelm Kazuma's voice.

—valid.

So Kazuma raised the volume, took out the style of singing songs during military training, and howled the nursery rhyme.

The next moment, the terracotta figurines, the road, and the traffic lights were all gone.

He Ma is standing on the shore of an unknown place, surrounded by other shore flowers.

Not far in front of him, a huge red torii towers over the flowing river.

Countless lanterns flow down the river and pass by the torii.

What the hell?

And the horse stepped towards the torii gate, and found that the water was very shallow.

The other side flower blooms with his footsteps, as if a group of creatures are chasing his heels.

Then Kazuma heard singing.

Not "The Bird in the Cage", but "The Passing Song".

A cold, slender female voice sang softly.

通りゃんせ通りゃんせ (pass it, pass it)

ここは宮屋の小通じゃ (here's a trail in the underworld)

He turned his face slightly and looked out of the corner of his eye.

The monster is looking at him from a distance, as if waiting for him to join the ranks of Hundred Ghosts Night Walk.

A butterfly is flying from afar.

Kazuma's eyes followed the butterfly and turned forward, only to find that the huge torii was gone, replaced by a "passage" formed by many torii.

The song continued to sing, if at all:

通りゃんせ通りゃんせ (pass it, pass it)

ここはどこの小道じゃ (where is the trail)

Tenjin さまの小道じゃ (this is the god's trail)

ちょっと通して下しゃんせ (pass gently to the opposite side)

A figure ahead ~IndoMTL.com~ looks like a child.

Butterfly continues to move forward, and the horse picks up pace.

Then he saw the shaking lantern.

The light of the lantern cuts through everything around it, digging a reassuring circular spot out of the gloom.

A familiar figure stands in the middle of the bright spot.

She hummed and held out her hand.

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