I Teach Kendo in Tokyo Chapter 88: Show you a light speed play stalk

Latest URL: On the second day of filming, Hema discovered that the script had been changed.

In the new script given by Deputy Director Aung San, the car chase part directly wrote "the car chase scene, the material can be cut into ten minutes".

He Ma couldn't help but glanced at Da Neng Bao Xiong sitting in the director's shed. This uncle was reading the newspaper with Erlang's legs crossed.

——Does this mean that I have been tormented by the complete decentralization?

He and Ma were thinking about it, and the producer of Nagata came over and whispered, "This is the meaning of completely delegating power to you."

And Ma: "I know."

"So, come on." Producer Nagata gave Kazuma a thumbs up.

And Ma pouted - I just watched the girl fight so hard at first, I wanted to at least not let her fall too hard, how do I feel that I am tied to the chariot now?

If this is the case, I probably won't have the opportunity to point fingers on the set in the future.

However, that's fine, Kazuma didn't want to make a movie at all, he wanted to go the police route.

After some psychological construction, I went into battle with Ma lightly, and I should continue to adjust, no matter what else.

"Come on, camera number one is here." And the horse started.

It took about an hour to shoot like this, and I finally got to the first place to shoot slow motion with a high-speed camera.

This is the end of the entire car chase scene. According to Hema's conception, the heroine landed steadily, and the dragons fell around in slow motion. Anyway, it was a Matrix-style concave shape.

After talking with Ma about his idea, Fang Shan Zhishi asked suspiciously: "Do I really need to do nothing? Just stand and make a concave shape?"

He Ma thought about it for a while, then waved his hand and called for the field manager: "Get a fan and blow it at her from this direction."

Fang Shan Zhishi: "Huh?"

"Eh what? Don't you have action?"

"Is it the action of the hair and clothes?"

He Ma ignored her and continued to explain to the field attendant: "It's better to blow up the skirt a little bit. It can't be completely blown up, it's better to blow it just enough to expose the thighs, just when the white is about to be seen. "

Fang Shan Zhishi: "Today I am wearing blue and white..."

"Okay, very energetic!" He Ma interrupted Fang Shan's words, "But you can't reveal it."

Field Service: "Whether this requirement can be fulfilled depends on the sky."

He Ma shrugged his shoulders: "Then take more film, anyway, the budget is sufficient and the film money is not bad."

And the horse's orders were executed quickly.

He Ma shouted "Ka" for more than half of the first shot, and then walked towards the actor who played the villain under the expectant gaze of Fang Shan Zhishi.

"When you fall, pay attention to the shape, come with props, put a row of bicycles in this position, and you will fall on the bicycles with thug B. You have to knock down all the bicycles like bowling. Come on." Kazuma He patted Long Tao's shoulder, and then returned to the camera under Fang Shan Zhishi's expectant gaze.

In this way, the dragon set fell again seven or eight times, and Hema realized the effect in his mind.

"Very good, that's it. This is the last action scene of the car chase. What's the next action scene?"

Fang Shan Zhishi ran over: "Wait a minute, this is the end?"

"Ah, it's over, it's starting to move, you hurry up and touch up your makeup."

As soon as He and Ma blasted Fang Shan Zhishi to touch up his makeup, assistant director Aung San came over with the script: "The next part is an indoor battle, the content..."

I took a look at the script with Ma, and again it was "a fifteen-minute indoor fighting scene material".

Yes, then feel free to play.

He Ma has never made a movie before, so I don't know that the footage I shot yesterday can make a movie in a few minutes. Anyway, he just made it according to his own ideas.

Soon the group arrived at the studio, and Kazuma suddenly had an idea.

"Come on, there is a confrontation with the BOSS after this martial arts drama. I feel that the audience may be a little tired after watching the car chase, and the indoor fight may be a little tired, so I just put all the ambush tricks on the scene and let the heroine look handsome. ."

Assistant director Aung San asked suspiciously: "I'll ask Supervisor Sang, after all, he was originally here for fifteen minutes."

He nodded with the horse, and the assistant director immediately trotted away.

He Ma watched the assistant director leave, and then turned to Nanjo, who was watching the fun.

The servant of the Nanjo family brought a parasol and other props. When she was shooting the location with Ma and the others just now, she sat and drank tea under the parasol next to her. It was an elegant thing.

Now the parasol is put away, but the table, chairs, etc. have been moved indoors by the servants.

Not only Nanjo came over this time, but Mikako and Jinguji Tamamo, who didn't come yesterday, came to join in the fun. A group of real female high school students in sailor uniforms occupied a corner of the set, drinking tea, eating snacks and chatting leisurely.

Those who didn't know thought it was a big-name female star who came to make a cameo over there.

Associate director Aung San returned soon, and he nodded to He Ma from afar: "The supervisor said yes, no problem. He will adjust the timing."

"Okay, then you all come here, I'll tell you how to shoot the next shot. The heroine enters the room, enters through this door, and is ambushed. You two rushed out to capture her.

"Then she lifted her legs and kicked you all back with both feet."

He Ma originally wanted to demonstrate how to volley with two feet, but his karate level is not high, and he can't do such a magical skill.

He was scratching his head when he suddenly saw Butler Suzuki from Nanjo.

So he left behind the horse and everyone who was still waiting for him to talk ran over and "borrowed" Butler Suzuki.

"Old man, you are like this, lift your foot once, don't change your foot, and kick people who are flying from two directions."

Butler Suzuki nodded directly: "I understand, but the demonstration doesn't have to be real people. I'm afraid of kicking them and hurting them. If you throw bricks at me from two directions at the same time, I'll demonstrate."

Clap hands with the horse: "Okay, hurry up and take your place. The yard manager prepares two bricks."

After everyone was seated, Kazuma clapped his hands instead of hitting the board: "Aikesh!"

The two strong men from the props group who had been on standby for a long time threw two prop bricks at Mr. Suzuki.

As soon as the old man raised his head, he shot his legs twice in a row, kicking both bricks into the air.

He Ma always felt that this was a bit different from what I imagined, but it was quite handsome so it didn't matter. He pointed to the old man Suzuki and said to the substitute: "According to this, do you understand?"

The stuntman frowned: "I shouldn't be able to do it this fast."

"Slow is fine," Kazuma said hurriedly.

The old man is level 67 karate. If the average person can catch up with his speed and strength, that would be hell.

The stuntman nodded: "Okay, leave it to me."

Fang Shan Zhishi: "What about me?"

“You are responsible for the close-up of the entrance and the close-up of the slow-motion modeling after this shot ends,” He Ma said.

"I'm just concave again? I want to try this!"

He Ma glanced at her suspiciously: "Can you do it?"

"How do you know if you don't try it?" Fang Shan Zhishi said.

He Ma glanced at the entry above her head and thought that she was really trying so hard to play this film well.

"Okay, give it a try. Just use this Styrofoam brick and put it in place."

Fangshan Zhishi was happily seated.

Then she was hit by a plastic brick and fell before she could stand up.

Butler Suzuki did not leave after the demonstration. He might want to offer some advice at any time when he was standing beside him. At this time, he looked at Fang Shan Zhishi who was lying on the ground and shook his head: "This lady, you just don't have any foundation in martial arts. Don't you even have the basics of dancing?"

Associate director Aung San said: "I have learned pop dance and ballroom dancing for the time being. Ballet, which has a relatively high body shape and control, is only a minority, right?"

Butler Suzuki said "um" and said nothing.

Fang Shan Zhishi was taken by the on-site medical team to deal with the thigh strain. At the same time, he and Ma finished filming the role of the substitute, and called Fang Shan Zhishi, who was still limping, to concave shape.

"Are you all right?" He Ma looked at her legs with some concern.

"The doctor said it's not a big deal, it's just a little pain, and it will be greatly relieved tomorrow." Fang Shan Zhishi looked quite disappointed, "But there will be bruises, so I will start to lengthen the skirt tomorrow to prevent the bruises from being too obvious. exposed.”

Stunned with the horse.

He originally wanted Fang Shan Zhishiwa to make a POSE like Lu Huiguang's overturned horse in "Drunken Fist 2". Anyway, the B-grade film is good for serving the audience, so he can only give up now.

But then again, that upside-down horse is not something that ordinary people can easily dent, but considering that Fang Shan Zhishi has a buff, Hema might try to dent his strength.

And Ma finished talking about Fang Shan Zhishi's play in a few words - anyway, she was just concave in front of the high-speed camera, simple.

And this scene in Ma's conception, the scenes are all on the dragons who flew out and landed.

Because it is an indoor studio, there is a small platform on the ceiling for the camera to shoot overhead. He Ma asked people to move the small platform over and let the two villains jump down from the small platform. The camera captures the moment they landed. , a clip is the feeling of landing after flying out.

After the first filming, Kazuma felt that something was missing.

He thought about it and understood: "Props group, get something that can be knocked down, and stack a stack of empty oil drums in this position."

The actor who played the dragon armor immediately showed a crying expression: "You don't want me to jump on this pile of things, do you?"

"There's still a buffer, that's great." Kazuma didn't care, "Bring out some of your instincts! Just like you, you still want to start... Still want to make a movie?"

Dragon set a face of resignation.

He Ma turned to another dragon set that was booked to fly out and said, "You, let the props set up a wall here later, you hit the wall, and then slide down the wall."

As soon as I finished talking to Ma, the props team pushed the wall over - it turns out that there are wheels under the wall, which can be pushed around, which is convenient to reconstruct the structure of the indoor studio at any time.

Morita, who was in charge of the props, asked Kazuma, "Can you see this wall? Should I change it to an iron one? The sound will be a little louder when it hits."

This last sentence is obviously a joke of schadenfreude. Most of the ambient sound in the movie is matched later, and even if it hits loudly, there is no microphone to record it.

He Ma did not respond to the ridicule, and directly said to Morita: "You hang a clock on this wall."

"Okay, what kind of money do you want?"

"When you want to tell the time on the hour, there will be a cuckoo coming out of the clock and cuckoo calling."

Morita scratched his head: "Do you want... this?"

"Why, can't I get it?"

"This... well, I'll go to the children's movie studio next door to see and borrow one. They should have this kind of gadget."

"Okay, hurry up and hurry up."

Next, in order to wait for the clock to arrive, it took another half an hour, but anyway, the original reservation was to shoot material that could cut out a fifteen-minute video, so the shooting time for Kazuma was already a lot, and it didn't matter if it was wasted.

Wait for Zhong to bring it, and Kazuma has already directed the props team to readjust all the decorations in the studio.

When I think that the two dragon sets are finished dancing later, most of these decorations will be knocked down. If they can't go through it again and then they have to set it up again, Kazuma will feel a pain in the balls.

He won't participate in the re-positioning, let the props team do it himself, even if the details are a little different from the one that He Ma personally directed, he intends to turn a blind eye.

"Not only do you have to hang up this clock, you also have to have the entire mechanism. Later, when the two of them fall to the ground and 'not moving', everything falls, and after the dust settles, you will let the clock fall alone. Come down, land on the ground, and start telling the time."

The one I talked to with Ma is a very common way of expression, and many later movies dealt with it this way.

For example, in the classic elevator lobby battle at the bottom of the building in "The Matrix", after the fight was over, after Neo and Tritini got into the elevator, the picture didn't cut off immediately, and the empty elevator lobby was still shot, and then At this time, a loose wall collapsed with a crash.

But in this era, this technique is generally still used in "cartoons", such as "Tom and Jerry" and "Bugs Bunny".

Movies generally only use these techniques in comedies.

But Spielberg also used a lot of cartoonish tricks in the serious action movie "Indiana Jones", adding some comical effects, and it turned out that audiences were very fond of it.

The idea of ​​Harmony kept the props team busy again, but this time they did it in three minutes: they tied a rope to the clock and pulled the rope from behind the wall, so the clock was actually being harmed. The wall is hung by a rope of the same color, and when the clock falls, the guy behind the wall lets go.

As for the cuckoo jumping out and calling, this clock was originally designed to be a remote control, a thing used for comedy effects on the next studio.

After everything was ready, Kazuma announced that they were seated.

"Aikesh."

Although Fang Shan Zhishi was very dissatisfied with the fact that he only used concave shapes, he was still very dedicated to the concave shapes.

The fan whirled at her, and lifted up her sailor suit lapels and skirt. To be honest, wearing a thin sailor suit in winter is so cold that it is blown by the fan.

But Fang Shan Zhishi was completely unmoved.

He Ma just glanced at her, and their attention was on the villain. After all, whether the villain fell well or not is the criterion for judging this scene.

Fortunately, the two fell very professionally this time, and the one who hit the wall was very dedicated and bounced on the wall before falling to the ground and rolling around a few times.

Only after the pile of things knocked down by Ma and other dragon armors fell to the ground, did he signal: "Zhong, let go!"

The clock on the wall fell to the ground, rolled a few times and stopped, and then the cuckoo started to tell the time: "Cuckoo cuckoo..."

"Good! Card!"

He Ma was really excited about a mirror, and the chairman's voice came from behind: "Classmate He Ma! Master! It's time to go home and review!"

He Ma turned back and said, "Okay, I got it!"

Then he glanced at the watch in the studio and muttered: "It's only eight o'clock..."

To be honest, it was a lot of fun making a movie for the first time.

And the horse is a little reluctant.

But Jinguji has always been very reasonable. In order to be admitted to the University of Tokyo, it is time for him to go back to study.

So, he clapped his hands, attracted everyone's attention, and then announced loudly: "Today's action scene is here, thank you for your hard work!"

"You've worked hard!" The staff and actors all returned the salute to Hema.

It doesn't mean that they all respect Kazuma. This is a very important etiquette in the Japanese workplace, and it should be done to the boss.

After finishing the final procedure with Ma and the crew, they threw the director's tube to the assistant director Aung San, then assumed the classic pose of Nobi Nobita, folded his hands behind the back of his head, and walked towards his sisters at a pace that he did not recognize. go.

Fang Shan Zhishi looked like he wanted to hold and talk to Ma, but hesitated, gave up, and just watched him leave.

**

That night, Taiying Film's fifth editing room.

Da Neng Bao Xiong pressed the pause button of the player and turned around to ask his guests: "Senior, what do you think?"

"It's a very interesting technique," said the 60- or 70-year-old man who had been sitting beside Danny Baoxiong watching the film slowly, stroking his beard, "Slow motion is not used to show details, but to highlight characters. , the idea is novel."

"Yes, when I first heard about slow motion, I thought he was going to shoot thrilling scenes like flying cars."

In this day and age, slow motion is what it does, to let the audience see the thrilling scenes that have been filmed with great difficulty.

Da Neng Bao Xiong continued: "I also thought about shooting thrilling scenes such as speeding cars, but we are not Hollywood after all, no matter how rich we are, we are not as rich as them..."

Although the bubble era will soon follow, Japan will enter a super rich era where it is said that if you sell all the land in Tokyo, you can buy the entire United States. If you have the money, major magazine publishers like Shueisha can sponsor F1 cars .

But it's not yet the bubble era.

Even if Japanese movies are so-called "big productions," they certainly don't cost as much as Hollywood.

There are few in Japanese film history as big as Akira Kurosawa's "Ran".

"Indeed, this Kiryu and Ma have done the best they can with limited costs. Many of his fights look like a Hong Kong kung fu movie. But the idea of ​​​​this concave shape, It's completely different from Hong Kong kung fu movies."

The old man said a long list, took a sip from the teacup, and then continued: "For such a talent, it's a bit of a waste to just come to give a cameo instruction. You should persuade him to go to an art school.

"Even if he doesn't become a famous director in the end, he will still be a first-class action movie star in Japan. We are short of action movie talents right now. The Hollywood action movies on the market have beaten us to the ground. Rely on Takakura Ken to save some face."

Da Neng Bao Xiong sighed: "Yes, watching American action movies make money, everyone wants to make action movies, and then they are not as rich as others and can't make other special effects. Don't talk about the United States, Our action movies can't even beat Hong Kong..."

After speaking, two generations of Japanese filmmakers, one old and one young, fell silent.

After a while, the old man suddenly asked, "Is there a lot of investment in Chuanjiao? But I can't hear the news that they came out to shoot action scenes. Is it all studio shooting?"

The film industry plays the same trick of espionage. If you go out to shoot on location, you will not only be targeted by the editorial team of entertainment weekly like Weekly Fang Chun, but will also be targeted by commercial spies.

However, in many cases, Weekly Fang Chun's material class will also part-time commercial espionage.

Da Neng Bao Xiong pursed his lips: "I don't know. If it's all studio shooting, no matter how big the scene is, it will be like that. But the news about their location shooting that I can receive now is not related to action scenes. , it's all literary."

"This is weird... Could it be that this is actually a literary film?" the old man frowned and muttered.

Da Neng Bao Xiong shook his head again and again: "Impossible, impossible, you see even machine guns, machine guns! How can this be artistic?"

The old man pouted: "Yes."

"Speaking of which," Da Neng Bao Xiong suddenly thought of something, "this Kiryu and Ma have been suggesting that we do not make action movies."

"Oh? What does he want us to shoot?"

"I remember producer Nagata said... ah, yes, he wants us to buy the sci-fi adaptation rights of someone named Yasutaka Tsutsui, called "The Girl Who Leapt Through Time", and shoot that."

The old man immediately showed a contemptuous smile: "Sci-fi? Is this a head show? Although sci-fi is all shot with models, but to achieve that level of models is super expensive, and there are also costumes. What the heck, in today's Japan, the level of Godzilla and Ultraman is already the limit.

"Sakyo Komatsu's "Japan Sinking", we worked hard to shoot it, and the support of the Maritime Self-Defense Force, to make it look like that. Did you see the footage of the volcanic eruption? I saw it all. I laughed, but it can only be done that way, otherwise Mt. Fuji will only really erupt once."

The old man shook his head again and again: "No, no, it seems that he is just a talented rough stone. To achieve some achievements, he needs more polishing. But since he is going to take the University of Tokyo entrance examination and take the police route, probably in the future we will In the film industry, he has nothing to do with him."

"Maybe there might be some scandal?"

Da Neng Bao Xiong said.

"Are you stupid? A senior official has a lover. This is not a scandal. Maybe the actress will be able to take on more dramas. After all, everyone wants to see what a woman from a Chinese master looks like."

Da Neng Bao Xiong said worriedly: "Is it okay to say this? Be careful that the partition has ears, senior."

"Hmph, what are you afraid of, there is no special high-tech anymore." "Senior" said disapprovingly.

Da Neng Bao Xiong resolutely shut up and did not continue.

**

On the way home, Mikako, who was sitting in the Nanjo family's extended luxury car, suddenly said, "That Fangshan Zhishi will probably come to our dojo after the filming. I can tell from her expression!"

The chairman said calmly: "Isn't this bad? If the movie is popular, she will immediately become a celebrity. If she learns kendo with us, many fans will come to school immediately. Chiyoko has been worrying about money. The problem is solved immediately."

Mikako: "You and Nanjo can be calm, but I can't. I'm not as competitive as you."

At this time, He Ma said, "Don't worry, even if she comes, she is just an ordinary apprentice."

"Before you, you also said that Nanjo was an ordinary apprentice! Later, you said that Nichinan was an ordinary apprentice."

"Nanjo aside, Niinan Ricai is indeed an ordinary apprentice." He Ma spread his hands together.

Mikako: "Oh! Nanjo is really not ordinary! I knew it! Chairman, let's go to a lovelorn party together!"

The chairman put his arms around Mikako, posing as if he was about to read the lines in a drama performance: "Don't be sad about Mikako, run forward, run to the place where he can't catch up! But in the end, he will definitely catch up. , because he also, without a doubt, loved us!"

Kawama: "Wait a minute! Don't get into the role so quickly! At least let me have a word!"

At this time, the butler Suzuki, who was driving in front, turned his head through the small window between the cab and the rear compartment and said, "I'm glad you chose our lady. I'll inform the master of the good news..."

"Master Suzuki! Master! Let me go, Master!"

Because Mr. Suzuki taught Karate to Kazuma, it's not wrong to be Kazuma's master.

Old man Suzuki let out a hearty laugh and said nothing.

Then Mikako and the chairman of the committee made trouble for a while before giving up.

The calm Mikako opened the small refrigerator in the car and took a bottle of drink - she was completely used to the luxury car of the Nanjo family.

After drinking the drink, Mikako wiped her mouth and asked again, "So, if that Fang Shan Zhishi came over to learn kendo, you plan to accept this apprentice, right?"

"Of course. Album royalties alone are not enough for me to go to college."

At first, Ma and Ma thought that the royalties of the tapes should be able to get a lot, but when he actually got the contract from Oikawa Houichi, he realized that was the case.

Oikawa Hou Yi also said earnestly: "Composers, like writers, have to be famous to make a lot of money, but don't worry, according to the contract, after you become famous, the sales of this tape will definitely increase, and even 'republished' ', the royalties will be yours."

"Republished" is a standard in the Japanese publishing industry, and the works that can "republished" are the best-selling works.

The concept was later extended to comic publishing and audiovisual publishing.

All in all, the royalties of music album tapes cannot completely solve the economic problems of Hema.

Not to mention that this is part of the royalties paid up front.

The real royalty income can only be paid after the actual sales are counted and the account is paid, and it may not be available next year.

He was always in a hurry when he first came out of society. He always felt that if something was not done on the spot, it would be a fraud.

Later, he gradually realized that it is normal for companies to cooperate with each other for six months and one year. It's all normal rhythm.

So he didn't embarrass Houichi Oikawa, it would be quite interesting that people could promise to pay the advance royalties before March next year.

You still have to take apprentices to make money.

He and Ma blasted away those male students who were not pure in thought, which made the boss of Chiyoko unhappy.

Chiyoko's theory is that Nanjo and the others can't be fooled by these students anyway, and the most these male students can do is to take a second look and not lose a piece of meat.

But He Ma still shooed the students away.

His reasoning is also very high-sounding: Kiryu Dojo only accepts people who are dedicated to the pursuit of kendo.

And was immediately exposed by Chiyoko.

Chiyoko also asserts that there will soon be rumors that "Kiryu Dojo only accepts women and the teacher is an LSP".

He Ma thought to himself, if there is a male student with a right mind, of course I will accept it.

Just thinking of this, Mikako sighed and said, "I think Kiryu Dojo will soon become a women's dojo. It's better to just change to Naginata."

The Japanese naginata sword, although it was not originally a weapon designed by women, has now become a recognized "weapon for women".

It's true that men learn naginata, but when it comes to naginata, what comes to mind is a sassy woman holding a naginata.

The chairman suddenly said: "Naginatas are more for ritual use, and optical naginatas are not enough. You have to learn things like shrine dances, including playing Taiko. Does Mikako want to learn Taiko too?"

Mikako shook her head repeatedly: "No no no, I don't want to."

When Kazuma noticed that Mikako was shaking her head, her cheeks twitched so neatly that they couldn't help pinching her.

"Yeah! What are you doing!"

Mikako slaps Kazuma's hand off, then slaps Kazuma's temple with two fists, and starts to turn - this is also a trick that Mikako used when they were fighting together before.

He Ma also learned after crossing the road that this trick is not the original stunt of Crayon Shin-chan's mother Meiya.

By the way, when Mikako uses this move, a certain part of her will definitely be very close to Kazuma, just a short distance away.

He Ma lost his strength to resist the urge to bury his face in it.

——Ah, I really want to be buried!

No one chooses now, and the result is that no one's chest can be buried, only to watch...suffering...

At this moment, Mr. Suzuki stepped on the brakes.

And the horse was seated in the front seat of the carriage, facing away from the direction of travel.

So at this moment, he saw the ultimate truth of the universe.

"Everyone, it's here... oh, ahem, although it's in the car, it's still outside the home after all, so you need to pay attention to your image, you guys."

Mikako pushed Hema's shoulders, sat back in the back row, and smiled: "It's an accident. As childhood sweethearts, we have this kind of accident from time to time, and we're used to it."

He Ma wiped the snot that was knocked out and nodded: "It was indeed an accident."

At this time, Chiyoko opened the car door from the outside: "Brother, come back today earlier than yesterday. Tell me about Nichinan, she is going to stay at the dojo again!"

As soon as the words fell, Nichinan's voice came from inside the dojo: "My parents, there was a big fight last night~IndoMTL.com~ It looks like a cold war today, I am taking refuge!"

At the same time as the voice fell, Nichinan appeared in front of Kiryu's house wearing home clothes.

He Ma: "Where did you get your home clothes from?"

"Because it's already booked for evacuation tonight, so I brought it here! I also brought pajamas." After Nichinan finished speaking, he gave Kama a V-hand.

Before Kazuma spoke, he saw Nanjo leaning over from the back row and said to the butler Suzuki in the cab across Kazuma: "Lord Suzuki, I'm also staying at the dojo tonight, please bring your pajamas and your home. service.”

"Understand."

Mikako: "It's a pajama party!"

As soon as she finished cheering, she heard the chairman of the committee closed the handwritten documents that had been spread out on his knees, and pushed up his glasses: "Very good, let's have a late-night study session tonight! Just in time for the filming to fall The progress is made up!"

Mikako screamed: "No!"