I’m in Hollywood Chapter 345: Two series of plans

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Because it is rarely packed, the study room is even more messy. Books, drafts, folders and other items are stacked on several tables, and the entire wall on the west side is also filled with drafts

Going down the spiral staircase, Cameron and Kathryn Bigelow were simultaneously attracted by the wall-mounted split-lens drafts and various drafts.

"Eric, did you do this?" The couple read the contents of the manuscript from south to north, and Cameron asked incredibly, because the content on these manuscripts was so amazing Although most of them are sketched sub-lens scripts, there are still many aspects involved in film production. Cameron even sees a lot of things related to film special effects.

Feeling the surprise of the Cameron couple, Eric is very satisfied. Although it has been determined to cooperate with the Cameron couple, Eric can also see that although his movie department is selling well, Cameron still despise him a little, even in " "Terminator 2: Judgement Day" is obviously rich handsome guy, who considers himself as a dumb man with a lot of money.

Although others generally do n’t care much about Eric, they want to maintain long-term cooperation with the unruly person like Cameron and show enough strength to the other party.

"This is my movie plan for the next few years. In fact, I have already started doing it occasionally during New York. What you have seen is the result of my days."

When Cameron and Kathryn Bigelow heard Eric, they turned their attention to the wall covered with manuscript paper again. The two just looked at it roughly. At this time, Cameron only noticed the contents of the sub-lens drawings.

The dreaded Twister rolled up the whole house, the huge Tyrannosaurus Rex chased the off-road vehicle, the tsunami hundreds of meters high rushed to the New York city, and the Washington special zone was enveloped by a huge shadow ...

Cameron and Kathryn Bigelow are more and more surprised. Because of this era, these pictures usually only appear in comics or novels, but now it seems. Eric obviously wants to put these pictures on the big screen with Live-Action Film in mind.

Kathryn Bigelow is still calm, but Cameron's eyes have revealed undisguised fanaticism. He felt a new era seemed to be about to start.

After reading these sub-lens drawings again, Cameron asked: "Eric, how do you plan to convert these ideas shoots into a movie, I mean, do you have a detailed feasibility plan?"

"Of course," Eric explained: "I will build two main series in about ten years, in addition to the" Jurassic Park "series based on the novel I published two years ago. There is one more Disaster Movie Series. "

"Disaster Movie Series?" Cameron turned his attention to those sketches again.

Eric walked to Cameron and pointed to the content of some sketches to explain in detail: "Yes, a disaster film series that includes at least five movies. You see, this one is a piece called" Twister "script. Describe the story of a group of enthusiastic scientists chasing and studying Twister; here is a concept of an alien invading the earth, temporarily named "Independence Day", but it seems that the name relates to another copyright, I do n’t know if it can be successfully obtained; and this The side is a concept of comet hitting the earth and human beings are facing destruction. script is called "Deep Impact"; finally here. It is a story of global's rapid cooling and most of United States being frozen. I call it "The Day After Tomorrow". The meaning is that we will always I do n’t know what will happen after tomorrow. "

Cameron and Kathryn Bigelow listened to the explanation of Eric together. After Eric finished, Cameron reached out and stroked the painting on the wall for a long time before asking: "Eric, how do you plan to achieve this? Now the technology can achieve Is it? "

"Of course, as long as you are willing to spend money," Eric said confidently: "Actually, these two series involve what I imagine. Two future development directions for special effects movies. I have already talked to Stan and Ed before I talked about it several times, and I just came back from New York the other day. I also went to San Francisco specifically for these things. "

Even with the madness of Cameron. I imagined Eric's "Jurassic Park" series and disaster film series, and it still felt a bit incredible. As a technical stream of Director, Cameron is very clear about the current special effects technology, so he knows that although Eric If these films force shoots, they can certainly be produced, but each one is definitely expensive.

Even Kathryn Bigelow couldn't help but think that the little guy in front of him seemed even more crazy than his husband.

Cameron did not seem to be too interested in the "Jurassic Park" series, but discussed the possibility of making a disaster film series with Eric.

"Eric, you see, as you said, this" Twister "with relatively simple special effects, how do you plan to truly show Twister on the screen? As far as I know, the most advanced special effects of Industrial Light & Magic It's also difficult to show Twister on the screen with real credibility. "

Eric turned over and grabbed a document from the desk and handed it to James Cameron. Cameron looked at the document cover and felt a little surprised. These should be very important things for Eric, but since Eric is given to him, Cameron is also not hypocritical, just turned it over and looked at it, and Kathryn Bigelow also curiously gathered around her husband to look at the contents of the document.

The document in front is roughly a plan to entrust a research team led by a famous physicist Stanford University to develop a set of fluid simulation software. The purpose of this set of fluid simulation software is to realize smoke, running water, Special effects such as gusty wind.

When the couple of Cameron read the documents in front of them, Eric said next to them: "Ron on the Stanford side. Professor Feidix has confirmed the feasibility of this plan, and research and development work has begun. The software can be put into use. At that time, about the Twister, tsunami, explosion smoke and other scenes in the disaster films I mentioned, all can be realized through this software. In addition, Ed Carmore is now also preparing a research team in Los Angeles, planning Develop an 3D modeling software, which can realize scenes such as building collapse and city destruction. In addition, Ed Carmore will also optimize the original rendering software randerman of Pixar, so that this software can adapt to the rendering work of Live-Action Film. "(To be continued)