Just to Sweep the Entertainment Industry Chapter 222: This song is worth it

--"This song is really very good, with very meaningful lyrics, with a very popular and memorable melody, it is a very rare good song that can be enjoyed by both the refined and the common. Besides, I think this song has the best design. A good point is that on the rhyme, it is the sound of ang. If you pay attention to this sound, you need to open your mouth wide to make it out. As a rhyme, it will appear very powerful and cohesive. Very good."

--"Actually, when Yan Lu sings this song, there is a bit of aesthetics in it, that is, I believe that many of them can actually be heard. Yan Lu's singing is a bit grabby, not so closely matching with the melody. But I think this is really the aesthetic of this song. He is more in line with the attribute setting of 'juvenile'. Full marks for this design."

--"I can't stand the power of this kind of youth choir the most. The opening lines really mention morale, youth, wisdom, wealth, strength, freedom, all of which are particularly bitten, and then When the word 'country' is slightly elongated, this level is lifted all of a sudden, it will make people's nerves tense, and the eyes will light up. Really, the voice of the young man is too powerful, give the whole song The song has a lot of extra points."

--"I really like the style of this song, that is, you say that his lyrics are very good, it has an ancient flavor, and the meaning is very extraordinary, and he can even be a poem on his own. But he is not eloquent, and it is not difficult to understand. With such an easy-to-remember and pleasant melody, I feel that it is really a brand new style. It can be sung by adults and children. It is not a children's song, but a popular song. How nice."

Fifteen musicians are full of praise for the song, which is not uncommon here at Yanli.

Although there is the effect of the protagonist's halo bonus, Yan Lu feels that this song is worth it.

The lyrics were written by Liang Qichao and Er Shui, and the music was composed by Xu Song. Zhang Jie sang the song "Speaking of Young China". In the last life, when Yan Lu heard it for the first time, he fell in love with it.

He never knew he could play a classic like this before.

Of course, there are also comments that such songs, melody, are a kind of desecration and destruction of the classics.

But Yan Lu felt that this is a product that should be produced under the collision of classics and times.

The so-called classics should not just be kept on the shelf, hung up high, and admired when they are talked about.

All works are born to bring some kind of power, or make people angry, or make people excited, or make people depressed, or make people hold their heads high.

Based on the fundamentals, always in one word, people!

It has its own meaning, but it is to use the word 'classic' to form a cage, to imprison this power. Here, waiting for someone who is destined to dig it.

What exactly is guaranteed?

There is no use for the classics to gradually distance themselves from people, society, reality, and the world in bondage.

So, let's put down those meaningless insistences. What should be respected will not be lost because of a popular song, but a malicious interpretation is sad.

Singing is the source of vitality for all works.

So, when I decided to come up with a positive song and a big scene in this issue, Yan Lu immediately thought of this song.

Even, he didn't change a word of it to suit the times.

When he sings, his heart is surging, and that surging is hard to tell with people in this era, because it belongs to the previous life, and the dazzling lion of the east can understand the surging.

At the end of the performance, he personally arranged the car and asked Guo Hang to follow the car, making sure to deliver all the young actors to their homes before returning to the singer's lounge.

Perhaps because the song itself has power, Yanli is a little tired, but his spirit is still high.

On the screen directly opposite, Xu Qingyang has already appeared.

He sings a very old Northwest ballad in this issue, "Looking at the Mountain and Seeing the End", which sings the excitement and excitement of the farmers when the country is paving the way into the village.

Northwest folk singer Shan Niu was invited by him to be an assistant performer. Together with the music, he brought the boldness and arrogance that belongs to the Northwest to the stage, but he has the strength to open his mouth and kneel. .

The next step is Han Anbei's stage.

The song he is performing in this competition is a song in his first album after returning to China, "Dragon Comes Out of the Abyss". The songwriters are also well-known domestic producers.

The whole arrangement is a mix of RB and magic electronic music, and Han Anbei's dancing skills show his strengths under the rather splendid choreography.

After Han Anbei, came the comeback singer Li Meng. Her sweet voice sang another sweet nursery rhyme, softening the whole stage and making everyone who listened couldn't help but bend. Eyebrows, happy mood.

After coming down, Zhang Ci's stage is really stable. He sings the grand opening "Ode to the Tianhe", interspersed with a short section of Shannan minor, which is quite eye-catching.

The most amazing thing is that the costume he wears in this competition is an improved version of the long gown he designed. The neat style is matched with the pictures of animals embroidered with dark lines. Domineering in the world.

He is Si Jinyu after him.

Si Jinyu, who had been forced to wait for so long, immediately vented her emotions with a big drum as soon as she took the stage, and even broke her drumstick. If it wasn't for the drum teacher having spares, I'm afraid it would be a stage accident.

Fortunately, Si Jinyu was not affected by any influence. She wore an antique horse-riding dress with a heroic spirit and turned the audience around~IndoMTL.com~ She was really too excited, too excited, plus she was a People who are easily affected by emotions, so after the singing ended, they did two hand flips before they could hold back, and this was how they enjoyed it.

In stark contrast to her is the eldest grandson Zhe who will appear later.

The guqin is in front, wearing a plain white gown, completely looking like a worldly expert who is far away from the hustle and bustle of the world.

And the song he sings in this issue is a very famous episode in the TV series "The Absurd Lord", "When the People Die, the Lamp Dies Out, The Buddha Does Not Stay".

Listening to the name, it seems that it has nothing to do with the main theme of positive energy, but its meaning is to lament the rise and fall of the dynasty, and to remind the present with history.

Zhang Sun Zhe's interpretation adds a more distant artistic conception, without the hostility in the original song, but with a sense of historical heaviness and a sense of comfort in today's prosperous world.

Next, it's the much-anticipated stage of Chen Chen.

This is also his first time on stage in two months.

Earlier, Liu Zi had already done a good job of media preheating. Although it can't be too high-profile, it is meaningless to be too low-key.

So, when Wang Quan announced on stage that the next singer was a replacement singer, the entire barrage went crazy.

Needless to say, it's Chen Chen's huge and terrifying fan base. The words 'Brother Chen', 'I miss you so much', and 'Chen Chen is the best' almost drown the entire screen. .

As a last resort, many people had to turn off the barrage in order to watch the stage.

At the same time, the bugle was blown.

The power possessed by the bugle is self-evident. In just a moment, the familiar melody pulls people into the memory of the era of gunpowder and war.

The figures of countless heroes and martyrs turned around in front of them, and they were the giants who held up the whole sky.

Si Jinyu sighed, "Just this opening, this song is not bad."