Maybe a Fake Gintama: Summary at the end of the month, including plot content. Must see!

First of all, the data aspect, here is only the data of the starting point, because it seems that there are not even 100 collections in the bookstore.

It was released on January 1st. I remember it clearly. At that time, the total collection at the starting point was just over 700, and the streak only had 700 collections for two months.

The first order is probably between 70 and 90. I don't know how much. The first order should be more than ten to one.

After a month, the collection has risen to 1900. In just one month, the collection has almost doubled from the previous two months. I feel very satisfied.

As of 8 o'clock tonight, our high setting is 256, and the average setting is 158. This result is very satisfying, and it can be seen that subscriptions have been increasing. (Maybe the benefits can be increased to 500 after the full attendance period. Well, I admit that I am thinking about shit.)

The subscription ratio is maintained at 13:1, which is a very good result. After all, I am a very knowledgeable person.

That's about all I have to say about the data, and of course I hope you can continue to support it.

The next thing I'm going to talk about is the plot part. You should be able to find out what you haven't left behind in a chapter. Basically, the plot of the daily part has been modified by magic. At least new elements have been added. This is considered a dream. Not too similar to the original. However, this has also resulted in a lot more space for each daily short story than before, which is really not water...

Gintama is different from other works. Basically, it is all dialogue. If you have followed comics, you must have a deep understanding. Other comics are a dialog box for one frame, or a dialog box for several frames.

But Gintama... a frame full of dialog boxes! ! !

Gintama relies on dialogue to drive the plot, which everyone should feel. The same is true for this online article. Basically, it’s all dialogue. There are very few scenes and characters. .

Also, some people may feel that there is too much nonsense... uh... On this point, this is also Gintama's style, and it is really impossible to give up.

Then talk about some controversial plots in the early stage of this web article.

First of all, it's about the first volume, the encounter between Jiangcheng and Songyang in Yinshi. In the theatrical version of the red cherry blossoms, after Songyang met Yinshi, he took him directly back to the classroom of the Matsushita Village School, and there were Takasugi and Katsura among the students in the classroom.

But in the Gintama feature film, Songyang met Ginshi first, and then created the Matsushita Village School. Only then did he meet Takasugi and Katsura.

The plot here is completely written by Gintama, and I did not write it according to the theatrical version of Sakura. There's no need to worry about this.

The second is that in the original work, Sakamoto set off to the universe after the end of the war against foreigners. I have brought it forward here, and arranged for Sakamoto to go to the universe when the war against foreigners was about to end. In fact, it is also implied here that with the addition of Jiang Cheng, the entire war against foreigners is even more tragic than the original.

Even, even the Heavenly Daoists set a trap when Jiang Cheng was weak. This is also an affirmation of Jiang Cheng's combat power.

The last point is that the leader of the Miye community, in the original book, carved a seal on his face after he divorced the anchor of Yuye. I am also ahead of schedule. This is indeed my problem. Because of the original part, I didn't read it too carefully. In ancient times, the two brothers fell in love with each other and killed each other, so it was the same as Uchiha and Senju in Hokage next door. I skipped a little...

But this little bug is not a big problem, you can find any reason to get rid of it... (this sentence is crossed out). I will seriously find a reason to explain it! After all, there is not only one such thing as a charm. It can be said that the one on Daoman's face at that time was a charm passed down by the ancestors of the Milino family that can enhance the charm of men... After all, after the anchor of Yuye married Daoman, there has been no such thing. What, so Daoman can do that, so... hehe, I'm such a little genius.

And the last point is the question of adding love elements to make Yueyong the heroine. It's not that I'm deliberately keeping the two from going in that direction. After all, everyone can see that Yueyong's words are basically more and more, especially the one-horned fairy, and he can even joke with Jiang Cheng.

This is also a reflection of the changes Jiang Cheng brought to Yoshihara, and the changes brought to everyone in Yoshihara. What Jiang Cheng wants to do is not only to poke a hole in Yoshihara's ceiling, but to change a little bit, and finally bring everyone to the [outside], making it no longer any different from the people [outside].

There is no such thing as a perfect protagonist, that's what Gintama tells us. In fact, Jiang Cheng is not. He has shortcomings, and even a small flaw in his personality. But I think he is very good like this~IndoMTL.com~ In fact, everyone in Gintama is like this, but when faced with an important decision, he can make the most correct choice, which makes us cry. This is the charm of Gintama.

In the final analysis, Jiang Cheng also does not meet the three elements of jump. In fact, it is similar to madao. Madao is also a character that does not meet the three elements of jump at all, and it can even be said to be a negative example of the three elements of jump.

This may not be obvious in the daily chapter. If you can keep up with it until the end, I believe you will understand.

Creating such a protagonist is also to fit Gintama, after all, Gintama's style has always been like this. However, as I wrote, I found that the characters in the pen came to life, and some words were written naturally without me even thinking about it, as if he really existed and would really say that. This feeling is very touching. (I'm probably on the verge of evolving into a gorilla...)

Don't pay too much attention to the heroine or something, even if you really want to think about it, you have to wait until after the finale. If everyone wants a female lead, I will seriously consider it.

The above are some of the most tangled places.

Finally, in fact, in the previous article, I left a few but important foreshadowings for the main line. I don't know if you have found it. If you find it, don't say it. If you don't find it, you can wait for the follow-up plot.

I'm really looking forward to it. When everyone sees the ending, they have a surprised expression of [the plot at that time was set up for this]. This should be the happiest thing for writers.

Barabara said that, it's all bullshit.

In short, I hope you will continue to support!

And, thank you for your continued support!

Above.

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