Restricted Doomsday Syndrome Chapter 2196: Hidden means

How many ticks can be divided into a minute? How many scales can be divided into one second? Time jumped on every minute scale, and Dorothy felt that she was adapting to those situations that had originally felt very uncomfortable. The environment around her is constantly changing, and her inner being is constantly changing. The factors that cause the changes are so complicated and changeable. However, no matter what changes, her feelings are becoming more and more constant in her feelings-those who see There seem to be countless combinations of changes, which are being delineated by an invisible range. No matter what changes, fewer and fewer can escape this range.

Things that seem to be infinite are becoming finite in an indescribable huge range. Dorothy felt that she was adapting to this kind of limitation, even if she could not observe and describe what this range was like.

Those uncertain factors that have been oppressing oneself have also become certain from this, from a variable without warning to a variable that can be predicted, and even the value of the variable finally has a margin, and I feel its limit Range.

The infinite becomes limited, the finite becomes certain, the certain has adapted, and the already adapted can no longer make Dorothy feel embarrassed-she does not know how she did it, maybe there is a super Dorothy's identity supports this adaptability, but when she feels that she can do it, she feels that she can do it.

The real-time detection data of Dorothy by the Super Department is becoming stable. In Dorothy’s field of vision, this "corridor" that originally appeared to be isolated in the internal space of the repeater is becoming another Wonderful shape. The so-called "corridor" is an outline that conforms to common sense. After it is deformed, the outline stretches like a dough and expands like fermentation. It is no longer presented in a physical way, and Dorothy also Gradually, I no longer feel that I am standing in a physical corridor.

Doroth began to feel that she was floating, the ground she stepped on did not exist, the walls she borrowed from did not exist, and all the substances that were exerting stress on her did not exist. Even the force situation that I felt before is false.

What is the position of oneself and the corridor, oneself and other people, corridor and repeater, other people and repeater? It is also completely different from the "actual situation" seen with the naked eye. The idea of ​​distinguishing "up, down, left, and right, front and back" from each other seems to be wrong from this moment on.

For Omi, Marceau, Father Xisen, and everything in the corridor, the concept of "quality" seems to have disappeared.

Doris only feels that she is standing in a world made up of countless "lines", but these "lines" are by no means the lines of the outline of things seen by the naked eye. The original outline of a thing is only a part of these "lines", a little "line" even crosses the outlines of two or three things at the same time, but before it completely outlines its shape, it has already turned to other things.

The world formed by these complex "lines" is full of voids, making Dorothy feel that it may be possible to pass through these voids directly. However, because of the complexity of the "lines", the structure of these voids has become very Complicated, it is impossible to form a straight path at all. Moreover, if you take a closer look at the gaps that seem to be able to pass through, they are actually filled with dense "threads", filling the existing gaps.

I don’t know how many "lines" there are, where the ends of each "line" are connected, and what meaning these "lines" specifically represent.

Doroth was originally only observing through her senses, but in a very sudden moment, she felt that she was really watching with her "eyes"-she saw the dynamics of these "lines", countless "lines" It constitutes a complex dynamic that cannot be described in words. Whenever you carefully observe the movement of these "lines", there will be a sense of swelling and stagnation of "the brain is filled".

It’s different from the feeling of expanding thinking before. The more Dorothy observes these “lines”, the more difficult it is for her to move her attention away from these “lines”. Instead, her thinking seems to be Shrink, firmly root in these "lines", and have no spare energy to think about other things.

My thoughts seem to be tightly bound by these "threads". Then, a feeling of being restrained even stronger than before came, making her feel that her body is difficult to move in these "line" worlds.

Doroth glanced at her image—there was also no outline of that "girl", only a large number of "lines".

She can clearly feel which "lines" are part of her profile, and these "lines" are all entangled and entangled by the complicated "lines" around her without exception.

Doroth has a further feeling: She must cut the connection between her own "line" and other "lines" in order to be able to break away from the London repeater. Moreover, not only herself, but even Father Xisen, who has just invaded the inside of the London repeater, is also outlined by these "lines", interspersed with other "lines", and At the same time it is entangled by other "threads".

Does this mean that if the connections of these “wires” are not cut off, even Father Xi Sen’s inexplicable state at this time will not be able to truly escape from the London repeater?

Doroth doesn’t feel that these “threads” were wound up after Father Sisson entered the London repeater, but instead were entangled with Father Sisson early in the morning, no matter how his shape and nature changed, None of them have ever really escaped.

Doroth did not feel the passage of time in this state of observation, nor did she feel the changes in space, nor did she feel any sense of consumption. It seemed that she could do it in the first place to see such a scene. So I haven't seen it in the past, just because this ability has not been "used".

What kind of ability does this body that is the final weapon imitation possess, Dorothy herself does not know, but from the perspective of the extraordinary sense of adaptation and the “line” world observed before her eyes, This image, which has been marked as the "Final Weapon", possesses the mystery corresponding to its title.

Super Dorothy and the final weapon Dorothy are essentially the same. However, the final weapon Dorothy is not made by Super Dorothy, and the final weapon Dorothy has never been born in the super Dorothy and the color center's script control. To put it simply: "The Final Weapon Dorothy" is a character that already exists, and Super Dorothy will automatically acquire this role after she "descends" from the hospital reality to the doomsday fantasy.

Of course, this is by no means accidental. It's just that the inevitable factors are so complicated that even Super Dorothy can't find all of them.

What Dorothy can do, when it is really done, it will become natural. These mysterious powers are not skills, not consumables, not those abilities that require a price to be used, and there is no time to display their abilities, and they don't even need to turn their minds.

Just like raising hands and feet, Dorothy's vision has been restored to the original view in the corridor, and in the timekeeping of the super system, even a second has not passed.

Faster than blinking, faster than missing, faster than any conscious cognitive behavior. At this moment, Dorothy has undergone tremendous changes. The observational data of the super system is rapidly refreshing, and two-thirds of the newly generated data are garbled.

"...what's going on?" Omi, who was also observing Dorothy in real time, couldn't help but frown, and there were also a lot of garbled characters in the data she obtained. Compared with all the data saved in the past, the new data that is being generated can hardly be similar. Dorothy, who seemed to stand in front of her without any change in form, became a completely different existence at this moment.

Omi has been unable to determine whether he, as one of the makers of the final weapon, Dorothy, knows about her in the past, and whether the back door left in her body is in this Dorothy that seems to have become brand new from head to toe. Silk still works. Now Dorothy's changes have exceeded her initial estimate and completely do not conform to her theory.

Although the situation has become somewhat different from what she expected, Omi has already gained a huge advantage in the struggle for the dominance of the London repeater. Many of the powers of the super system have been breached, but its identity as one of the three pillars made it impossible for Omi to completely ban the powers that it should have.

In a few minutes, Omi will be able to fully control all the powers of the London repeater, but the super system can only be able to maintain the powers it originally had. It is impossible for the super system to adjust the London repeater to be cancelled, but the difference in authority between the two parties is large enough for Omi to restore the adjusted parts in the first time.

She has already started copying the current state of the London repeater. Where Dorothy can't see, the most powerful masterpiece "Time Machine" she has made by her own hands has also been docked with the prayer room where Madoka Magica is. The fire escape that has fallen into a state of suspended animation will be transported to the place where the last of the three pillars is, where his consciousness will be repaired.

The last pillar of the three pillars of the London repeater. When he was still a human, his teacher was once a "wheelchair man" who was regarded as the "strongest conscious walker", who used only his own power A monster that deliberately penetrates into the human collective subconscious. After this reliable old man died because of being too close to the "monster in the collective subconscious of mankind", one of the "three pillars" took over the mantle of "the strongest conscious walker".

Because he was almost the "strongest consciousness walker", when he became the "Three Pillars", he had surpassed his teacher and became the veritable "strongest consciousness walker" . Just like his teacher "wheelchair man", he has done many things that are unthinkable in the eyes of others. The mystery he possesses is unknown to Dorothy, who has already turned his attention away from him.

One of the key reasons why Omi was able to avoid Dorothy’s eyes and ears, and arranged all sorts of backhands under the circumstances that no one knew about, was that she had the help of this one.

Omi has never doubted that the misuse will be revived in his hands, and even sublimated.

Doroth should be by now, still can't remember the existence of one of the three pillars, right? She actually knew it, but this cognition was forcibly eliminated by the other party. If Dorothy is still the same Dorothy shown in the original data, then, as long as that person does not take the initiative to revoke the ability, then even if someone tells Dorothy again that one of the three pillars is such a person, she herself will follow. Forgetting, basically, there is no possibility of automatically retrieving this knowledge.

However, in this sudden instant, a certain change occurred in Dorothy, which made her now and her in the past different. Omi has to consider that now she has re-recognized the existence of one of the three pillars of the "philosophical ghost" ~ IndoMTL.com~ Once she thinks of it, then many of the past arrangements are likely to fail.

When "philosophical ghosts" are most threatening, the prerequisite for being able to function in front of the ultimate enemy is when "no one knows its existence." It is like an assassin, only launching a blow at the most critical time. Perhaps this blow cannot be fatal, but it should be a turning point for turning the situation around.

Because Dorothy in the past also knew this, she took the initiative to accept cognitive dispelling, and Omi took advantage of it to move her hands and feet.

However, the current Dorothy does not know this, but will continue to pursue this clue to find out the truth. When she has no possibility to figure this out, she can completely ignore it, but when this possibility reappears from her. Omi felt that it was necessary to reduce this possibility from other directions.

Moreover, preventing her from recognizing the existence of the "philosophical ghost" is even more important than keeping her inside the London repeater.

Finally, Dorothy’s gain to the London repeater is visible. In Omi’s plan, she will also play a huge role as a part of the London repeater. She doesn't care who Dorothy thinks the enemy is. However, starting from Dorothy's thinking and analyzing her behavior, she will draw a not very good conclusion. Therefore, before things turned like that, Omi actively interrupted her plan and grafted her own plan on her plan.

Omi is very aware of the potential of Dorothy, the final weapon, and has analyzed its behavioral mechanism. She knew that once Dorothy was allowed to leave the London repeater, it would be impossible to want her back again. For Omi's plan, the loss of Dorothy is undoubtedly a major loss.

However, in the current situation, it seems that only part of it can be discarded and part of it saved.