Restricted Doomsday Syndrome Chapter 2197: Leave the repeater

The internal space structure of the London repeater has begun a new round of changes. The corridor where Omi and Dorothy are located has a clear sense of movement, as if it is spinning fast around a circle center, and huge centrifugal force is making the corridor. Unfixed things rolled towards the wall, and then, both ends of the corridor broke.

The broken part fell below, the collapsed wall also broke down and fell, and the vision became open but no more things could be seen-up, down, left, and right, the parts outside the corridor, all of which can’t see the end at a glance nothingness. In just a few seconds, only the fragments at the feet of Omi, Marceau, Dorothy, and Father Xisen were still floating in the air.

The huge flow that constitutes the silhouette of Father Xi Sen's eyes continues to seep into the void. The entire void seems to be driven by this huge sense of flow, and it also presents a corresponding flow. However, no one paid any attention to this change, because even if Father Xi Sen's invisible whole flowed into the repeater, it would not be able to expand its influence to the extent that it affects the entire repeater. Its form and nature are indeed full of mystery. However, even if this degree of mystery is compared to "mercury", then the mystery possessed by the entire repeater is like the "sea".

The "quantity" that constitutes the whole of Father Xi Sen is too small, even if Father Edward added the black water of Sitianyuan Ka coconut in the nine-nine-nine disguise, it is far more than any individual mystery expert currently known. It cannot be compared with repeaters in the same quality.

Mercury flows into the ocean, and even if it can exist for a while, it will sooner or later be shattered by the natural movement of the ocean current. Even if Omi does nothing, Father Xi Sen in his current form cannot stay inside the London repeater for too long. While Omi gradually covered the repeater authority, Father Xi Sen's original authority was also being compromised. Omi is trying to find a channel for Father Mori to interact with the repeater. This will not be too long. Once completed, she can close the repeater again at any time.

Father Xi Sen has also realized that in the short few seconds of the confrontation between the two sides, he has fought hundreds of thousands of times with the probe that Omi had left inside the repeater. From the first few moments that took the upper hand, to the current steadily inferior, the situation changed faster than he expected. When he successfully penetrated into the London repeater at first, he still felt that he could hold on for a longer period of time. However, Omi’s coverage and integration of the repeater authority was faster than he expected—the other party’s. The processing speed is simply not something humans can do. However, in his observations, Omi’s individual existence factors still stay within the “human” range of common sense.

How come there is such a thing? Father Xi Sen felt a huge contradiction, and something terrible hidden behind the contradiction. If possible, he certainly wants to take this opportunity to move into the London repeater. However, the current situation must be decisive, and temporary evacuation may be the best choice.

Fr. Xi Sen's human form created by flowing tiny substances, a lot of smoke appeared in the eyes of both parties. The smoke particles began to vibrate violently, making a deep sound at first, and then getting sharper and sharper, but in the next moment, it turned into a clearly audible language. This is not a human voice, but closer to a mechanical voice.

"Peach... Dorothy...must leave..." When these words came to the back, the vibration became more intense, and the resulting sound seemed to penetrate the eardrum.

In Dorothy's wonderful vision full of "threads", this vibration is clearer. All the "lines" that make up the existence of "Father Xi Sen" were shaking, and were broken in the overly intense vibration. The outline of "Father Xi Sen" in this field of vision is disintegrating. After the "line" depicting his image breaks, it passes through the gap between the peripheral line and the line like a school of fish and spreads in all directions.

When she returned to her normal field of vision, Dorothy only saw the silhouette of Father Sisson beside him dissipating, like a huge suction from his surroundings, forming his silhouette. All the clouds and mist are sucked away. Of course, compared to the idea that "Father Xi Sen is under attack," Dorothy feels more that this is the preparation that Father Xi Sen made before leaving the repeater.

Because, in the world of "lines", she saw that although the "line" that outlined Father Xisen is dispersing, the process of dispersing is mobilizing more "lines." A "passage" that cannot be described in words, gradually emerged from the feeling in this process.

It cannot be directly observed, but it can be felt.

However, before Dorothy cut the "wire" connecting herself to the repeater, Omi had already jumped back.

After the corridor split, the footholds of both parties were no more than one square meter. Omi jumped directly out of the boundary and fell into the void that seemed to have no end. Dorothy did not move because "Marceau" was staring at her. It wasn't until Omi completely disappeared from the field of vision that the outline of "Marceau" gradually faded and melted into the void.

Doroth quickly confirmed that the "lines" that make up Omi and Marceau had changed, and even from this wonderful vision, they could no longer be found.

"Are they leaving?" Dorothy looked at Father Xi Sen beside her, confirming again.

Father Xi Sen's only humanoid silhouette nodded and disappeared from her vision, and the corridor fragments that provided the three people's foothold were completely disintegrated. Now, in the entire void, only Dorothy was left. She could clearly feel that the fragment of the corridor under her feet would not last long either-only a tenth of a second was left.

Within one hundredth of a second, Dorothy has completely entered the field of vision of "threads", clarifying the "threads" that make up itself and the other "threads" wound on these "threads". This is not something ordinary people can do. There are too many "lines" that need to be observed and operated. Even so, Dorothy has the same mysterious power as her own instinct from the perspective of her own instinct. As soon as she has a thought, she has completed the process of "line management".

The complicated thread structure was combed into a more regular subjective appearance, and then, most of it was cut off by Dorothy. After that, the thread representing "Doroth" finally passed through the gap between the thread and the thread like a swimming fish, along the passage left by Father Sisson that can only be identified by feeling, Xiang Na didn’t know. Shuttle quickly in the direction to where.

When Dorothy left the perspective of "Line" again, she had already left the void space where the corridor was, but she was still located in a room inside the London repeater. It is impossible to tell whose room this is, because everything that can be observed in the room has been refreshed, and its surface and internal structure are completely different from the style of the room when Dorothy was in charge of the repeater. Moreover, the whole room gave Dorothy a very unstable feeling, as if it would be refreshed again at any time.

——Here.

Somehow a voice entered Dorothy's mind, and she could hear that it was Father Sisson's voice. Although her body could not be observed, Dorothy galloped away in the direction indicated by the voice. From the perspective of the "line", her way of existence is also changing, and the obstacles to the form and properties of the material under ordinary observation angles have almost all failed. Dorothy penetrated the wall directly like a ghost, penetrated the structure, and penetrated those unknown substances. Her speed was so fast that even if the place she passed was being refreshed, it could not affect her progress.

The guidance that emerged from the level of consciousness has always been faster than Dorothy's. Finally, Dorothy leaped forward. Although she didn't touch anything, she felt that her whole body was kneaded like dough, stretched out, and slipped out of a long narrow pipe.

This time, when her vision returned to normal again, the London repeater, which was in the shape of a lotus in material form, was already 100 meters away. She finally got out of the repeater.

However, the outside environment is certainly not so good. The huge distortion makes all the places that can be seen, the things that were originally just dead, all creep like life. The scenery in the entire visible area has deviated from the usual style of the ruling bureau ruins, and it looks no longer. It is a "relic", but more like the cavity of a certain creature. The power of distortion always exists, constantly amplifying and spreading. After leaving the repeater, it must rely on its own strength to resist the influence of this distortion.

However, even in the face of these indescribable unusual landscapes, Dorothy can still enter the perspective of the "line". In this wonderful perspective, the "line" is still the only tangible existence that outlines these distorted anomalies. The distortion seen under the normal angle of view, in this “line” angle of view, also presents a certain pattern—because it is too complicated to understand.

However, it is the complex regularity presented by these "lines" that makes Dorothy feel that the core subject of these distorted scenes is still staying in an extremely remote place that cannot be directly observed. That is not the distant place that can be described by the normal concept of space and time. However, through a certain movement, the nature of this "distance" will change, directly allowing the core subject to reach this area-this process is not "movement" in common sense. "It can be described. If you insist on a description, then it is best to regard this core subject as "always existing here", but "no more contact" is better.

There are still many situations that Dorothy cannot tell. In her mind, the cognition from a human perspective and the cognition from the perspective of Super Dorothy are all full of limitations. Obviously it is something that I can observe, but I can't find a correct and appropriate word to describe it at all.

The more you say it, the more wrong it is, the more you think about it, the more deviations will occur. No--

Even only the part that is aware of is full of omissions and errors. Perhaps when I use my own limited cognition to feel and realize, the deviation has already occurred.

This core subject, which is hard to imagine what its orthodox body looks like, should be the source of the "deviation" that the Torchlight believes in, and it is also what the deviation ritual calls for? It is definitely not a "monster in the collective subconsciousness of mankind", because Dorothy can feel that it is not in the consciousness of human beings. What it presents more is that many physical properties that are not in common sense exist in a material perspective.

Doroth wanted to further pursue her way of existence. Her consciousness was based on the "line" she could observe, and she marched towards the unobservable distance. However, with the speed of consciousness, it is still impossible to shorten the distance between oneself and that core subject. This distance seems to be something that "consciousness" cannot convey under the current circumstances.

The next moment, Dorothy felt an extraordinary sense of fear. Because this sense of fear is too heavy~IndoMTL.com~, before Dorothy was completely swallowed by this sense of fear, she had already passively left the perspective of the "line". Afterwards, she only felt that her body was completely stiff. Although she wanted to do something, it was very difficult to even "think of something".

She didn't feel horror anymore after leaving the perspective of the "line". However, this "no horror" feeling was completely useless for her to get rid of the current situation.

Whenever Dorothy tried to "think", a huge resistance directly interrupted the operation of this "thinking".

Can't think, can't move, can feel, but can't recognize, Dorothy can't judge anything at all, and can't observe herself. Gradually, when she started to have a feeling, it was "fear".

The sense of fear comes faster than any feeling, and is clearer than any feeling. There is nothing but "fear". Dorothy could no longer operate on her own. She was like a stone sculpture, standing quietly 100 meters away from the London repeater. The twisted things around her, like tentacles, like tongues, like some kind of slime, threw at her. No one knows whether Dorothy is aware of the danger from her side, and her body shape is also undergoing a certain alienation.

Before this distorted alienation of the body showed more features, the shape of the London repeater had already begun to directly observe the changes-it was originally a lotus-shaped appearance, showing a kind of The spiral twist is like a tightly tightened towel, and many things inside, like water that has been squeezed out, flow out from below.

No one can judge what these flowing things are just from their physical appearance. When these things come into contact with distorted things from the outside world, they are like sulfuric acid sprinkled on the skin, causing a violent reaction.