Return To 1977 Chapter 883: Acupoint walking
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Some people miss big pot rice, while others hate big pot rice.
Because this method of evenly distributing the fruits of labor, while giving people peace of mind, will also seriously suppress people's enthusiasm and initiative.
In fact, this system is only suitable for two types of people.
One is a conscientious person who has no more requirements and is not willing to take any risks.
They only know how to be content and work honestly.
Be willing to be led and follow the lead of others.
The other type is those who are lazy and enjoy the fruits of their labor.
They are the biggest pests bred under the current system.
He only knows how to sneak around and **** the blood of big guys.
So unlike most ordinary people, some social elites who have outstanding personal abilities and are unwilling to leave their fate in the hands of others will inevitably take the lead in seeking the possibility of breaking through the shackles in their own way.
There is no doubt that the literary and art circles are the first place where this distribution contradiction breaks out.
For example, Hong Yanwu never thought of his kindness to Liu Xiaoqin and his generous act of preserving the dignity of several mainland actresses.
It actually became a major opportunity and trigger for Liu Xiaoqin to take a crucial step in her life.
I am sorry that the food he has provided in the past two months has been really good.
For this purpose, Master Pang specially deployed a white case master and a red case master, and rented several private houses near the location to station themselves.
We also shipped kitchen utensils and built a more professional kitchen.
Since the ingredients are purchased freshly at the local free market every morning,
Vegetables, meat, and eggs are not only exceptionally fresh, but also cheap.
So the standard of five yuan per person per day for two meals is simply too rich. That’s two hundred yuan for forty people.
In addition, Hong Yanwu had already ordered that several actresses should be treated differently and given special care.
The two masters also expressed their gratitude to several actresses because they took photos with them and got autographs.
So unlike ordinary staff, Liu Xiaoqin and the three "Xianfeng concubines" were given a table of "nine pieces of flowers" with five meat and four vegetables at every meal. After the meal, there were watermelon, mung bean soup, Almond tofu is a great way to beat the heat.
I really treat these actresses as real empress dowagers.
Think about it, back in those days you could replicate the exterior of the Old Summer Palace for 640,000 yuan.
Based on this food standard, even the "Hong Kong cowards" can't keep up with it on horseback.
And don't forget, this is a serious "kouzi" job in the capital, and they have never even seen it.
As a result, not only did no mainlanders envy Hong Kongers, but Li Hanxiang and Liang Jiahui had to spend several meals on the mainland.
Needless to say, Liu Xiaoqin enjoyed both face and dignity.
Comparing this feeling of pride with the humiliation of being rejected when begging for food from her Hong Kong colleagues like a beggar in the original history, and the feeling of bursting into tears due to hunger, there is of course a world of difference.
But what is interesting is that although bad things have turned into good things, the final effect is exactly the same as the original historical trend.
Because desire, like resentment, can also be transformed into a driving force for action.
And how do you say something?
There are only blessings that cannot be enjoyed, and there are no hardships that cannot be endured.
Once the good days have passed for a long time, the bad days will become even more uncomfortable.
In early September, as soon as the filming was completed and the Hong Kong people evacuated, the two masters packed up their belongings and returned to the "big canteen".
Liu Xiaoqin and the others naturally returned to their respective units from the location.
Without the glory of serving every day at banquets, Liu Xiaoqin was back to the past, living off the simple meals in the cafeteria every day, which made Liu Xiaoqin a little psychologically unbalanced.
Because you know the taste by eating the marrow, it is easier to go up the mountain than to go down the mountain. How can white radish and white chopped chicken be the same thing?
In addition, don’t forget that in this era of planned economy, except for the wealthy individuals, the income of the Chinese people at that time was very low.
Even the most popular film and television stars are only superficially beautiful.
To be honest, the real life of Liu Xiaoqin and others is actually very shabby.
On weekdays, they have to squeeze into buses for performances, and the performance subsidy is only two yuan per performance. Even the costumes have to be figured out by themselves in Beijing.
So whenever they go on a business trip, they often face the dilemma of not being able to afford clothes, hotels, or food.
For this reason, Liu Xiaoqin has always resisted numerous invitations to entertainment and events.
However, there are some activities that she just can't refuse, such as participating in a political mission such as the Beijing Film Festival delegation's visit to Japan.
As a result, due to financial difficulties, she became the most embarrassed person in the spotlight, wearing an old cheongsam used for acting as a costume in the entire delegation.
It turned out that there was a hole in the chest of the cheongsam, another hole in the hem, and the slit in the cheongsam was torn.
In the end, Liu Xiaoqin managed to get through it all by relying on her quick wits and finding a solution that was not a solution.
The hole in the chest was covered with a red flower, and the slit was tied with a knot so that it would not be visible when carrying the bag.
The hole in the hem can only be ignored.
After this incident ended, Liu Xiaoqin was ashamed, angry and depressed for a long time, until "Burning the Old Summer Palace" and "Behind the Curtain" were released in Hong Kong and became a great success.
The new glory rescued her from her depressed mood.
Unfortunately, she was only happy for a few days when Chen Ye, who came to Beijing to attend the celebration party, deeply stimulated her.
It turned out that Chen Ye planned to resign and go to the United States to find a new life outside.
Liu Xiaoqin didn't understand it at first, and wanted to persuade Chen Ye to stay, saying that you had just become famous, and you should make more movies while you are a big star. Once you are famous, you should make more movies.
Unexpectedly, Chen Ye asked her, "What kind of star? What's the use of fame? I don't have a house to live in, and my salary is only 47 yuan. Can you solve it for me?"
This made Liu Xiaoqin speechless at the time.
Yeah, what kind of star is such a shabby star?
When she thought of the dilapidated and hungry people behind the spotlight, even she wanted to cry.
Looking at people who are self-employed, they don’t have a good reputation when you say these three words, but they have a lot of money.
People can give her a reserved seat and use money to maintain her dignity.
In order to place a few scenes in "The Burning of the Old Summer Palace" and "The Government Behind the Curtain", people offered Director Li a price of 100,000 to 80,000 yuan.
Although it was not filmed, even Hong Kong people cannot underestimate such a masterpiece.
I heard that "Sunset Street" relied on sponsorship from others to prevent the actors from suffering.
Hey, I don’t know who is the real winner.
How great would it be if she were so rich? It’s not about eating and drinking well, the key is to maintain your proper self-esteem.
You can live up to your name and be a real star, and you no longer have to stand in the spotlight with a guilty conscience and low self-esteem...
In this way, people go to higher places and water flows to lower places.
Following inevitable objective laws and implicit guidance, history has appeared without distortion.
After being invited to perform at a high price by two people from Handan, Liu Xiaoqin didn't even hesitate this time, so she followed them to Handan and completed her first "acupuncture performance".
When she returned to Beijing a week later with a performance fee of 3,600 yuan, she had completed a key psychological change and was out of control.
Of course, due to the lack of contracts and business experience, fraud is still as inevitable as the original trajectory.
But after experiencing several twists and turns, she grew up stronger and faster than before.
It has evolved into an "acupoint" organized by personal credibility and leading the "acupoint walking team" to contact external performances.
Because of her character, charisma, program quality, and performance attitude, she has been recognized by every actor she has worked with. The actors all called Liu Xiaoqin after the supreme card in poker and gave her the nickname " "big cat".
However, in Liu Xiaoqin's own mind, the origin of all this was precisely inspired by the last two months of filming "The Burning of the Old Summer Palace" and "The Government Behind the Curtain".
Let her understand that money is not just money, but also a person's dignity, value and self-confidence.
So in the future, when doing programs or autobiographies, a "self-employed friend" became her savior and guiding light, and was mentioned repeatedly by her.
This was something Hong Yanwu had not expected, and it made him dumbfounded.
But the most fortunate thing is that history finally returned to its original place despite going in circles.
This prevented the wind fanned by Hong Yanwu’s little butterfly from drowning Chen Peisi’s classic works.
Because Hong Yanwu would never know that the classic sketch "Eating Noodles" that was born on the Spring Festival Gala in 1984 was actually the product of Chen Peisi following Liu Xiaoqin in Shenyang for a reward of 100 yuan.
It is precisely because of this sketch that it became popular in the Northeast and received a strong response.
As a result, in order to successfully complete the performance, the actors who went there had to turn this art test skit into the finale.
Such a reputation later spread to the ears of Spring Festival Gala director Huang He. Only then would audiences in the Republic be lucky enough to see such a classic program, and this would trigger a craze for sketches that continues to this day.
This must be said to be an extremely lucky thing, otherwise the history of the Republic Spring Festival Gala and the history of the entire sketch program would have to be rewritten.
But on the other hand, I cannot but mention one additional thing.
Because what is particularly interesting is that the indirect impact caused by Hong Yanwu is actually not small.
That is, Chen Peisi’s partner in this performance is not the "Lao Mao" with thick eyebrows.
As the saying goes, good news should not flow to outsiders.
When he went to the performance in Shenyang, Chen Peisi took "Hongye" with him. Naturally, this handsome "stage manager" gave the popular male star his thumbs up.
So Chen Peisi’s original old partner did not work hand in hand with him as historically, but became a partner and friend that lasted for decades.
The program performed by this popular "Wrangler" during his trip to Shenyang turned into an ordinary poetry recitation.
In this way, a relatively significant deviation occurred in history.
"Hongye" is an ordinary person who should not be famous, and should not even appear in the literary and art circles.
It is destined to become a household name in the near future.